Abstracts
Abstract
This essay focuses on auto-ethnography and auto-fiction as USEFUL tools to reflect on the ways in which networked identities are reshaped and reconfigured within the context of a global pandemic where social relationships, family life, work routines, and learning processes are increasingly migrating to the online domain. The piece builds upon the experience of an undergraduate class who collectively contributed to the blog series ‘Selfies Under Quarantine’ during the first severe lockdown in March 2020. It discusses the question of methods and suggests looking at the ‘draft’ as both an aesthetics and an ethics to navigate the current context of crisis.
Résumé
Cet essai se concentre sur l’auto-ethnographie et l’auto-fiction comme outils de réflexion sur les façons dont les identités en réseau sont remodelées et reconfigurées dans le contexte d’une pandémie mondiale où les relations sociales, la vie familiale, les routines de travail et les processus d’apprentissage migrent de plus en plus vers le domaine en ligne. L’article s’appuie sur l’expérience d’une classe de premier cycle qui a contribué collectivement à la série de blogs “Selfies Under Quarantine” (Selfies en quarantaine) pendant le premier verrouillage sévère en mars 2020. Il aborde la question des méthodes et suggère de considérer le “brouillon” comme une esthétique et une éthique pour naviguer dans le contexte actuel de crise.
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Appendices
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