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Appendices
Biographical note
Murray Dineen is a professor in the University of Ottawa’s School of Music. A former editor of Intersections, he is now at work on research in leftist music aesthetics in Central Europe between the two world wars. His most recent book is Friendly Remainders: Essays in Musical Criticism after Adorno (McGill-Queen’s University Press 2011). He is preparing a translation of a Marxist treatise on music by Kurt Blaukopf writing under the pseudonym Hans Wind in Austria in 1935, and is also writing articles on counterpoint and on Alain Badiou’s study of Wagner.