The Artificial Woman in the Mirror: Gender Performance and Classicism in Friederike Helene Unger's Prince Bimbam — A Fairytale for Young and Old (Prinz Bimbam — Ein Mährchen für Alt und Jung, 1802)[Record]

  • Birte Giesler

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  • Birte Giesler
    University of Sydney

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Online publication: Aug. 31, 2012

URI
https://id.erudit.org/iderudit/1012081ar CopiedAn error has occurred
DOI
https://doi.org/10.7202/1012081ar CopiedAn error has occurred

An article of the journal Lumen 

Volume 25, 2006, p. 121–132

Copyright © Canadian Society for Eighteenth-Century Studies / Société canadienne d'étude du dix-huitième siècle, 2006