Monstrum

Volume 2, June 2019

Table of contents (10 articles)

FEATURE ESSAYS

  1. Le Féminin et le diable : Possessions et exorcismes comme manifestation de la répression sexuelle féminine

    Alexandra Dagenais

    pp. 3–33

    Record

  2. Grotesque Realism and the Carnivalesque in Tom Six’s The Human Centipede (First Sequence) and The Human Centipede II (Full Sequence)

    Ellen N. Freeman

    pp. 34–59

    Record

  3. “If I stop doing that job, they don’t stop eating”: iZombie and the Sociopolitical Dimensions of Food

    Erin Giannini

    pp. 60–84

    Record

  4. The Demythologizing of The Texas Chain Saw Massacre

    Jeff Jeske and Will Dodson

    pp. 85–106

    Record

  5. La mutazione antropologica Italiana: passaggio da una società arcaica e pura ad una società contaminata in Pier Paolo Pasolini

    Valentina Mazzilli

    pp. 107–123

    Record

  6. Suburban Ghost Story: Pre-feminist Self-writing Practices and the Gothic in Must Read After My Death

    Papagena Robbins

    pp. 124–152

    Record

REVIEWS

  1. The Birth of the American Horror Film By Gary D. Rhodes, Edinburgh University Press, 2018, 420pp.

    Anne Golden

    pp. 153–156

    Record

  2. Shirley Jackson: A Rather Haunted Life By Ruth Franklin, Liveright / W.W. Norton, 2016, 607pp.

    Kristopher Woofter

    pp. 157–162

    Record

  3. Children of the Night: Abel Ferrara’s Pasolini

    Mario DeGiglio-Bellemare

    pp. 162–166

    Record

STUDENT FORUM

  1. A Spectacle of Modified Bodies: The Contemporary Grand-Guignolesque as a Feminist Challenge to Somatophobia in American Mary

    Arielle Corriveau

    pp. 167–179

    Record

License

Back issues of Monstrum