Appendices
Bibliography
- Anastasova, Maria. 2019. The Suspense of Horror and the Horror of Suspense. Newcastle: Cambridge Scholars Publishing.
- Church, David. 2021. Post-Horror: Art, Genre, and Cultural Elevation. Edinburgh, Edinburgh University Press.
- Deleuze, Gilles. 1986. Cinema 1: The Movement Image. Minnesota: University of Minnesota Press.
- Deleuze, Gilles. 1986. Cinema 2: The Time Image. Minnesota: University of Minnesota Press.
- Hills, Matt. 2005. The Pleasures of Horror. London: Continuum International Publishing.
- Ligotti, Thomas. 2018 [2010]. The Conspiracy Against the Human Race: A Contrivance of Horror. London and New York: Penguin Books.
- Massumi, Brian. 1995. “The Autonomy of Affect.” Cultural Critique 31. The Politics of Systems and Environments. (Autumn): 83-109.
- Pinedo, Isabel. 1996. “Recreational Terror: Postmodern Elements of the Contemporary Horror Film.” Journal of Film and Video 48, nos. 1/2 (Spring-Summer): 17-31.
- Schildrick, Margrit. 2009. “Prosthetic Performativity: Deleuzian Connections and Queer Corporealities.” In Deleuze and Queer Theory, edited by Chrysanthi Nigianni and Merl Storr, 115-133. Edinburgh: Edinburgh University Press.
- Spadoni, Robert. 2014. “Carl Dreyer’s Corpse: Horror Film Atmosphere and Narrative.” In A Companion to the Horror Film, edited by Harry M. Benshoff, 151-168. West Sussex: John Wiley & Sons.
- Spooner, Catherine. 2007. Contemporary Gothic. London: Reaktion.
- Smuts, Aaron. 2014. “Cognitive and Philosophical Approaches to Horror,” In A Companion to the Horror Film, edited by Harry M. Benshoff, 3-21. West Sussex: John Wiley & Sons.
- Thain, Alanna. 2017. Bodies in Suspense: Time and Affect in Cinema. Minneapolis: University of Minnesota Press.
- Wetherell, Margaret. 2012. Affect and Emotion: A New Social Science Understanding. London: Sage Publications.
- Wilkinson, Alissa. 2017. “In the Killing of a Sacred Deer, a Greek Myth Becomes a Family’s Descent into Hell.” Vox. (October 20, 2017). https://www.vox.com/culture/2017/5/31/15676946/killing-of-a-sacred-deer-cannes-review.