RACAR : Revue d'art canadienne
Canadian Art Review

Volume 28, 2001–2003 Art History Inside and Outside the University L’histoire de l’art à l’université et hors de l’université Guest-edited by Adele M. Ernstrom

Table of contents (19 articles)

  1. Editorial Introduction: Art History Inside and Outside the University
  2. George Turnbull and Art History at Scottish Universities in the Eighteenth Century
  3. Art, History and Discipline in the Eighteenth-Century German University
  4. Entering Art History in the Mid-Nineteenth Century: Félicie d’Ayzac, Anna Jameson and the Legacy of Mme de Staël
  5. L’Institutionnalisation de l’histoire de l’art en France au XIXe siècle
  6. The Academy, the Market and the Art Museums in the Repositioning of Australian Aboriginal Art

Commentaire / Commentary

Livres / Books

  1. Ellen Easton McLeod, In Good Hands: The Women of the Canadian Handicrafts Guild. Montreal, Kingston, London, Ithaca, Carleton University by McGill-Queen’s University Press, 1999, 361 pp., 43 black-and-white illus.
  2. Dennis Reid and Matthew Teitelbaum, eds, Greg Curnoe: Life and Stuff. Toronto and Vancouver, Art Gallery of Ontario and Douglas and Mclntyre, 2001, 207 pp., 6 half-tone illus., 54 black-and-white illus., and 57 colour illus., $75.00 Cdn
  3. Martha Langford, Suspended Conversations: The Afterlife of Memory in Photographic Albums. Montreal and Kingston, London, Ithaca: McGill-Queen’s University Press, 2001, 256 pp., 80 black-and-white illus., $49.95 Cdn
  4. Michael Fried, Menzel’s Realism: Art and Embodiment in Nineteenth-Century Berlin. New Haven and London, Yale University Press, 2002, 313 pp., 100 black-and-white and 70 colour illus., $55.00 U.S.
  5. L’esthétique naît-elle au XVIIIe siècle ?, coordonné par Serge Trottein, textes de Laurent Jaffro, Agnès Minazzoli, Yves Radrizzani, Baldine Saint Girons, Serge Trottein. Paris, Presses Universitaires de France (collection Débats philosophiques), 2000, 160 p.
  6. Jeffrey Abt, A Museum on the Verge: A Socioeconomic History of the Detroit Institute of Arts 1882–2000. Detroit, Wayne State University Press, 2001, 336 pp. 24 black-and-white illus., $26.95 US.
  7. Philip Sohm, Style in the Art Theory of Early Modern Italy. Cambridge and New York, Cambridge University Press, 2001, 327 pp., 21 black-and-white illus., $85 US.
  8. Eckart Marchand and Alison Wright, eds, With and Without the Medici. Studies in Tuscan Art and Patronage 1434–1530. Aldershot and Brookfield, Ashgate, 1998, 187 pp., 52 black-and-white illus., $84.95 (U.S.) cloth
  9. Janice Helland, Professional Women Painters in Nineteenth-Century Scotland: Commitment, Friendship, Pleasure. Aldershot, Ashgate, 2000, 212 pp, 40 black-and-white illus.
  10. Robert J. Belton, Sights of Resistance: Approaches to Canadian Visual Culture. Calgary, University of Calgary Press, 2001, 398 pp.; 36 colour illus., 112 black-and-white illus. and a glossary on CD-ROM, $59.95 Cdn
  11. Dominic Marner, St Cuthbert: His Life and Cult in Medieval Durham. Toronto and Buffalo, University of Toronto Press, 2000, 112 pp., 15 black-and-white illus. and 46 in colour, ISBN 0-8020-3518-3
  12. Ilse E. Friesen, The Female Crucifix: Images of St Wilgefortis Since the Middle Ages. Waterloo, Ontario, Wilfrid Laurier University Press, 2001, 208 pp., 22 colour, 4 black-and-white illus., $45.00 Cdn, ISBN 0-88920-365-2

All Rights Reserved © UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada), 2004

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