Book ReviewsComptes rendus

Clare, Janet. Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre

  • Trevor Cook

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  • Trevor Cook Centre for Reformation and Renaissance Studies University of Toronto, ROR logoror.org/03dbr7087

Cover of Volume 39, Number 1, Winter 2016, pp. 5-212, Renaissance and Reformation / Renaissance et Réforme

Online publication: March 22, 2022

URI: https://id.erudit.org/iderudit/1087141ar Copy the article’s permalinkAddress copied.An error occurred.

DOI: https://doi.org/10.33137/rr.v39i1.26550 Copy the article's DOIAddress copied.An error occurred.

A review of the journal Renaissance and Reformation / Renaissance et Réforme

This article is a review of another work such as a book or a film. The original work discussed here is not available on this platform.

Volume 39, Number 1, Winter 2016, p. 158–160

© Canadian Society for Renaissance Studies / Société canadienne d'études de la Renaissance; Pacific Northwest Renaissance Society; Toronto Renaissance and Reformation Colloquium; Victoria University Centre for Renaissance and Reformation Studies, 2016

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