Abstracts
Abstract
Drawing upon empirical research from a larger project on photography in nineteenth-century British North America, this essay proceeds from the conviction that photography—as science, as technology, as practice—warrants closer scrutiny for the ways in which it contributed to the creation and circulation of knowledge in mid-to-late nineteenth-century Canada. Based on surviving images as well as those known only from the written record, this foray into the entwined histories of photography, science, and technology, while far from comprehensive, is intended to open up new directions for further study by historians of science and technology.
Keywords:
- 19th century,
- Canada,
- Photography,
- Science,
- Technology
Résumé
S’appuyant sur la recherche empirique d’un projet plus vaste sur la photographie en Amérique du Nord britannique au XIXe siècle, cet essai part de la conviction que la photographie – en tant que science, technologie et pratique – mérite d’être examinée de plus près pour les façons dont elle a contribué à la création et à la circulation des connaissances au Canada, du milieu jusqu’à la fin du XIXe siècle. Cette incursion dans les histoires entremêlées de la photographie, de la science et de la technologie se fonde sur les images qui ont survécu ainsi que sur celles qui ne sont connues que dans les documents écrits, et a pour but d’ouvrir de nouvelles orientations pour les études à venir des historiens des sciences et de la technologie..
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Appendices
Acknowledgements
Research for this essay was carried out with support from Queen’s University, an Insight Grant from the Social Sciences and Humanities Research Council of Canada, and a Leverhulme Visiting Professorship at the Centre for the GeoHumanities, Royal Holloway, University of London. I am also grateful to generous friends and colleagues Andrew Birrell, Andrew Rodger, Theresa Rowat, Hélène Samson, Tim Fedak, Josh Green, Peter Larocque, Daniel Lewis, Kirsten Greer, Brendan Cull, Brendan Edwards, Alison Morrison-Low, Elizabeth Edwards, Kelley Wilder, and Mirjam Brusius for sharing their research and expertise with me.
Biographical note
Joan M. Schwartz is Professor Emerita, History of Photography and Nineteenth-Century Visual Culture, and former Head, Art History and Art Conservation, Queen’s University. Before taking up her faculty position in 2003, she was Senior Specialist in Photography Acquisition and Research at the National Archives of Canada, where she had worked as an archivist since 1977. A historical geographer, and photographic historian, with a particular interest in photography and the geographical imagination, she is a fellow of the Royal Society of Canada and the Royal Canadian Geographical Society, as well as the Society of American Archivists and the Association of Canadian Archivists.