Come Together: Oral Sex as Oral History in Gregory Scofield’s Love Medicine and One Song

  • Janice Niemann

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  • Janice Niemann
    University of Victoria

Author’s Note: For their generous, thoughtful, and constructive feedback, I am indebted to Sam McKegney, who read an early iteration of this article in a graduate seminar at Queen’s University, and the anonymous reviewers. My argument is stronger and my ideas are clearer because of their feedback, and I am grateful for their time, suggestions, mentorship, and intellectual labour.

Cover of Special Issue: Queer Bodies, Volume 46, Number 1, 2021, pp. 5-259, Studies in Canadian Literature / Études en littérature canadienne

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