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Studies in Canadian Literature
Études en littérature canadienne

Volume 47, Number 2, 2022 Special Section: Black Lives Matter Dossier spécial : Black Lives Matter Guest-edited by Isaacs Camille and Vernon Karina

Table of contents (19 articles)

Special Section: Black Lives Matter / Dossier spécial : Black Lives Matter

  1. Duppy Kno Who Fi Frighten

    Khadijah Morley

    p. 5

  2. Putting Black Lives Matter into Canadian Literary Studies: Introduction

    Camille Isaacs and Karina Vernon

    pp. 6–21

  3. A.B. Walker’s Neith (1903-04) and the Aesthetic Grammars of Black Modernism in Canada

    Billy Johnson

    pp. 22–48

  4. Not Who to Blame but in Whose Name

    Lillian Allen

    pp. 49–52

  5. Written on the Body: Personal Monumentalization in the Work of David Chariandy and Tessa McWatt

    Camille Isaacs

    pp. 53–71

  6. Three Riots: A Biotext for Watts, Rodney King, and George Floyd

    Wayde Compton

    pp. 72–77

  7. Silenced Resilience: Models of Survival in David Chariandy’s Brother

    Basmah Rahman

    pp. 78–99

  8. “We are the living archive”: An Interview with El Jones on Abolition and Writing

    Karina Vernon

    pp. 100–113

  9. Struggling toward Identity in George Elliott Clarke’s The Motorcyclist

    David Creelman

    pp. 114–130

  10. Pathogen Textures

    Ian Keteku

    p. 131

  11. Trinidadian/Canadian Food and the Fiction of Belonging in David Chariandy’s Brother

    McKenna James Boeckner

    pp. 132–152

  12. A Word with an Edge

    Uchechukwu Peter Umezurike

    p. 153

  13. Untitled

    Khadijah Morley

    p. 154

Articles

  1. Ice Cod Bell or Stone: Poetry, Canon, Memory

    Nicholas Bradley

    pp. 156–174

  2. Negotiating Chinese Canadian Masculinity: Fred Wah’s Diamond Grill

    Liam Waterman

    pp. 175–194

  3. Decolonial Poetics and Trans-Subjective Lyric: Jordan Abel’s Un/Inhabited and Injun

    Carl Watts

    pp. 195–216

  4. Reimagining the American Road Trip in Nicole Brossard’s Le désert mauve

    Ania Wroblewski

    pp. 217–236

  5. Documentary Ethics, Para-Judicial Fantasies, and the Transgressive Desires of Lynn Crosbie’s Paul’s Case

    James Hahn

    pp. 237–254

Notes on Contributors

  1. Notes on Contributors

    pp. 255–258

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