Authors Beginning With the Letter C

• Cabajsky, Andrea

  • 2019 — With Verduyn, Christl, Beverley, Andrea, and Bell, Kirsty, “Écrivaines canadiennes des années 1970”
  • 2014 — “« Le sentiment vif de créer »”
  • 2014 — ““The Vivid Feeling of Creating””

• Cain, Stephen

  • 2000 — “Tracing the Web:”

• Calder, Alison

  • 2000 — “Unsettling the West:”

• Calderón, Jorge

  • 2021 — Avec Beneventi, Domenico A., “Corps Queers”

• Cameron, Barry

  • 1977 — “An Approximation of Poetry: The Short Stories of John Metcalf”
  • 1977 — Avec Dixon, Michael, “Mandatory Subversive Manifesto: Canadian Criticism vs. Literary Criticism”

• Cameron, Elspeth

  • 1977 — “Journey to the Interior: The Journal Form in Place d'Armes”

• Caminero-Santangelo, Marta

  • 1994 — “Moving Beyond "The Blank White Spaces": Atwood's Gilead, Postmodernism, and Strategic Resistance”

• Campbell, Sheila

  • 1977 — “The Two Wes Wakehams: Point of View in The Weekend Man”

• Campbell, Wanda

  • 2014 — “Island Ecology and Early Canadian Women Writers”
  • 2008 — “"Every Sea-Surrounded Hour":”
  • 1996 — “Strange Plantings: Robert Kroetsch's Seed Catalogue”

• Cann, Emily

  • 2018 — With DesRoches, Davita, Labenski, Amelia, Parkes, Amy, and Peters, Mercedes, ““Keep in Touch””

• Carey, Jessica L.W.

  • 2014 — “Misfits in the Breach: Between Ecology and Economy in Helen Humphreys’s Wild Dogs”

• Cariou, Warren

  • 2006 — ““How Come These Guns are so Tall”:”

• Carr, Brenda

  • 1994 — “To "Heal the Word Wounded": Agency and the Materiality of Language and Form in M. Nourbese Philip's She Tries Her Tongue, Her Silence Softly Breaks”

• Carrière, Marie

  • 2016 — “Metafeminism and Post-9/11 Writing in Canada and Québec”
  • 2005 — With Leckie, Ross, Ball, John Clement, and Andrews, Jennifer, “Introduction -”

• Carson, Neil

  • 1977 — “Canadian Historical Drama: Playwrights in Search of a Myth”

• Carter, Adam

  • 2003 — “Namelessness, Irony, and National Character in Contemporary Canadian Criticism and the Critical Tradition”

• Castelao, Isabel

  • 2004 — “Rediscovering the Poet:”

• Chafe, Paul

  • 2018 — “A Hell of a Voice”
  • 2018 — Avec MacLeod, Alexander et Thompson, Peter, “Passing”
  • 2014 — ““Where the Mysterious and the Undefined Breathes and Lives”: Kathleen Winter’s Annabel as Intersex Text”
  • 2008 — “Living the Authentic Life at "The Far East of the Western World":”
  • 2007 — “Newfoundland Poetry as "Ethnographic Salvage":”

• Chakraborty, Chandrima

  • 2015 — “Official Apology, Creative Remembrances, and Management of the Air India Tragedy”
  • 2012 — “India via Trinidad and Canada:”

• Chalykoff, Lisa

  • 1998 — “Overcoming the Two Solitudes of Canadian Literary Regionalism”

• Chan, Courtenay

  • 2023 — “Radical Solidarities in Mercedes Eng’s Hybrid Poetics”

• Chapman, Marilyn

  • 1981 — “"Alastor": The Spirit of Under the Volcano”
  • 1978 — “The Progress of David's Imagination”

• Charman, Caitlin

  • 2018 — ““It Seems to Bust Your Balls””
  • 2014 — ““There Are Things You Don't Get Over””

• Chiasson, Zénon

  • 1992 — “Fragments d'identité du/dans le théâtre acadien contemporain (1960-1991)”

• Chittick, Kathryn

  • 1984 — “Interview With Malcolm Ross”
  • 1981 — “"Making Literature Hum": Canadian Literary Journalism in the Twenties”

• Cho, Lily

  • 2007 — “Dislocations and Diaspora:”

• Clark, David L.

  • 1990 — “Monstrous Reading: The Martyrology After de Man”

• Clarke, George Elliott

  • 2019 — “On Pamela Mordecai’s “Passion Plays”: A Plea for Their Performance”
  • 2011 — “Sounding John Thompson's White Noise”
  • 1991 — “Michel Ondaatje and the Production of Myth”

• Clement, Lesley

  • 2011 — “Mobilizing the Power of the Unseen:”

• Clever, Glenn

  • 1978 — “Point of View in White Narcissus”
  • 1976 — “Leacock's Dunciad”

• Cockburn, R. H.

  • 1982 — “A Note on the Probable Source of Duncan Campbell Scott's "The Forsaken"”

• Cogswell, Fred

  • 1986 — “Alden Nowlan As Regional Atavist”
  • 1976 — “No Heavenly Harmony: A Reading of Powassan's Drum”

• Cohen, Henry

  • 1989 — “Le rondel dans la poésie d'Emile Nelligan”

• Cole, Stewart

  • 2004 — “Believing in Tigers:”

• Coleman, Daniel

  • 2012 — “Toward an Indigenist Ecology of Knowledges for Canadian LiteraryStudies”
  • 1993 — “Masculinity's Severed Self: Gender and Orientalism in Out of Egypt and Running in the Family”

• Collins, Alexandra

  • 1983 — “An Audience in Mind When I Speak: Grove's In Search of Myself”

• Comeau, Paul

  • 1981 — “Ethel Wilson's Characters”

• Compton, Anne

  • 2003 — ““A Many-Veined Leaf”:”
  • 2001 — “Doubly-Crossing Syllables:”
  • 1999 — “Poetry, Photography, Painting Stephanie Bolster's World”
  • 1998 — “Standing Your Ground:”
  • 1992 — “"As if I Really Mattered": The Narrator of Sinclair Ross's As For Me and My House”
  • 1989 — “"After the ebb-flow": A.J.M. Smith's Nature Poetry”

• Compton, Wayde

  • 2022 — “Three Riots: A Biotext for Watts, Rodney King, and George Floyd”

• Connor, H. W.

  • 1984 — “Coming of Winter, Coming of Age: The Autumnal Vision of David Adams Richards's First Novel”
  • 1983 — “A Note on George Byrne's Argument that Orville is the Central Character in Blood Ties”

• Cook, Hugh

  • 1978 — “Development in the Early Poetry of Raymond Souster”

• Cook, Samantha

  • 2016 — “Le je dans le nous”

• Cooke, Dervila

  • 2013 — “Tradition, Modernity, and the Enmeshing of Home and Away”

• Cooke, Grayson

  • 2006 — “Technics and the Human at Zero-Hour:”

• Cooke, Nathalie

  • 2017 — “Writing the Chinese Restaurateur into the Canadian Literary Landscape”

• Coppolino, Andrew

  • 1987 — “A Canadian in the Gasington Circle: Frank Prewett's Literary Friendships”

• Cormier, Matthew

  • 2020 — “Complicating World Literature in the “Minor” Context: Translation and the Acadian Literary Ecosphere”

• Côté, Jean R.

  • 1993 — “Les canadianismes sous l'éclairage bakhtinien: Quatre emplois différents de pantoute dans Le Salut de l'Irlande de Jacques Ferron”

• Coulas, Cecelia

  • 1990 — “What Is Known of Old and Long Familiar: The Uncanny Effect in World of Wonders”

• Coulthard, Lisa

  • 1995 — “"The Line's Getting Mighty Blurry": Politics, Polemics and Performance in The Noam Chomsky Lectures”

• Coupal, Michelle

  • 2021 — Avec McKegney, Sam, “Called to Relationship and Reckoning through Story: Reflections on Reading, Teaching, and Writing about Residential School Literatures”
  • 2021 — Avec Hargreaves, Allison et Seibel, Svetlana, “Literary Creative Practices as Sites of Redress”
  • 2013 — “"One thing can look like another"”

• Cowdy, Cheryl

  • 2011 — “Ravines and the Conscious Electrified Life of Houses:”

• Craig, Terrence L.

  • 1985 — “The Confessional Revisited: Laura Salverson's Canadian Work”

• Crecelius, Kathryn J.

  • 1981 — “L'Histoire et son double dans Pélagie-la-Charrette”

• Creelman, David

  • 2022 — “Anna Minerva Henderson’s Citadel and Gloria Ann Wesley’s To My Someday Child: A Close Reading of Two Maritime Voices”
  • 2022 — “Struggling toward Identity in George Elliott Clarke’s The Motorcyclist”
  • 2018 — “Herb Wyile”
  • 2008 — “Swept Under:”
  • 1999 — “"Hoping to strike some sort of solidity":”
  • 1995 — “Conservative Solutions: The Early Historical Fiction of Thomas Raddall”
  • 1991 — “Robert Kroetsch: Criticism in the Middle Ground”

• Cude, Wilfred

  • 1982 — “The College Occasion as Rabelasian Feast: Academe's Dark Side in The Rebel Angels”
  • 1977 — “"False as Harlot's Oaths": Dunny Ramsay Looks at Huck Finn”

• Curran, Beverley

  • 1999 — Avec Hirabayashi, Mitoko, “Conversations with Readers:”