Abstracts
Abstract
Simmel discovers the essential in the unessential, and sets the centre of our affairs on the periphery of normal life. Temporary gratification, an ubi consistam, can in fact only be obtained in the ulteriority to which we are referred and in which we temporarily linger in marginal experiences, in the eccentric, in the as yet not saturated possibilities that come to meet us, as a gift, or as the result of an activity not entirely our own – the adventure, dreams, artworks. Simmel’s fundamental question is how not to remain below one’s own unexpressed possibilities. Through social or individual levers, men should be put in the position to exploit the richness of their own subjectivity and the objectivity of the modern world, to force an opening into the possible, while at the same time reducing the inevitable exposure to disappointment.
Download the article in PDF to read it. Download
Appendices
Biographical note
Remo Bodei died aged 81 on 7 November 2019 in Pisa. Remo Bodei was one of Italy’s major philosophical figures. He started his career as professor at Scuola Normale Superiore in 1969 and from 1971 taught History of Philosophy and Aesthetics at the University of Pisa. He was visiting professor at many international universities such as Cambridge, Ottawa, New York, Toronto, Girona, and Mexico City. In 2006 he became professor of philosophy at UCLA (Los Angeles), with which he had a close relationship for over 20 years.
Bibliography
- Benjamin W. (2002). The Arcades Project. Tr. by H. Eiland and K. McLaughlin, Cambridge-London: Harvard University Press.Google Scholar Search this bibliographic reference on Google Scholar
- Bodei R. (1978). Il dado truccato. Senso, probabilità e storia in Max Weber, in “Annali della Scuola Normale Superiore”, Serie III, VIII, 4, pp. 1415-1433.Google Scholar Search this bibliographic reference on Google Scholar
- Piana G. (1966). A Husserlian analysis of colour, in “aut aut”, 92, pp. 21-30.Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (1959). The Aesthetic Significance of the Face, in K. H. Wolff (Ed.). Georg Simmel, 1858-1918: A Collection of Essays, with Translations and a Bibliography. Columbus: Ohio State University Press, pp. 276-281.Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (1969). Logik. Eine Kollegmitschrift von G. Salomon-Delatour, in “Soziale Welt” XX. Ed. by O. Rammstedt, pp. 221-237.Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (1989-2015). Georg Simmel Gesamtausgabe (here cited as GSG). Ed. by Otthein Rammstedt et al. Frankfurt/M.: Suhrkamp, 24 volumes.Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (1989). GSG 2: Über sociale Differenzierung. Ed. by Heinz-Jürgen Dahme, Frankfurt/M.: Suhrkamp, pp. 109-295.Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (1989). GSG 1: Zur Psychologie der Scham, in “Rezensionen 1883-1901”. Ed. by Klaus Christian Köhnke, Frankfurt/M.: Suhrkamp, pp. 431-442.Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (1992). GSG 5: Böcklins Landschaften in “Aufsätze und Abhandlungen 1894-1900”. Ed. by Heinz-Jürgen Dahme and David P. Frisby, Frankfurt/M.: Suhrkamp.Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (1993). GSG 8: Venedig, in “Aufsätze und Abhandlungen 1901-1908”, Band II. Ed by A. Cavalli und V. Krech, Frankfurt/M.: Suhrkamp, pp. 258-263.Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (1994). The Picture Frame: An Aesthetic Study, in “Theory, Culture & Society”, Vol. 11, pp. 11-17. Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (1997a). Female culture, in “Simmel on Culture. Selected Writings”. Ed. by D. P. Frisby and M. Featherstone, London-Thousand Oaks-New Delhi: SAGE, pp. 46-54.Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (1997b). The Adventure, in “Simmel on Culture. Selected Writings”. Ed. by D. P. Frisby and M. Featherstone, London-Thousand Oaks-New Delhi: SAGE, pp. 221-232.Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (1997c). The Philosophy of Fashion, in “Simmel on Culture. Selected Writings”. Ed. by D. P. Frisby and M. Featherstone, London-Thousand Oaks-New Delhi: SAGE, pp. 187-205.Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (2001). GSG 12: Die Kunst Rodins und das Bewegungsmotiv in der Plastik, in “Aufsätze und Abhandlungen 1909-1918”. Band I. Ed. by. Latzel, Klaus, pp. 28-36.Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (2004). GSG 20: Aus dem nachgelassenen Tagebuche, in “Postume Veröffentlichungen”. Ed. by T. Karlsruhen and O. Rammstedt, Frankfurt/M.: Suhrkamp, pp. 261-296.Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (2004). Philosophy of money. Ed. by D. P. Frisby, London-New York: Routledge.10.4324/9780203481134 Google Scholar Search this bibliographic reference on Google Scholar
- Simmel G. (2009). Sociology. Inquiries into the Construction of Social Forms. Ed. by A. J. Blasi, A. K. Jacobs, M. Kanjirathinkal. Leiden-Boston: Brill.Google Scholar Search this bibliographic reference on Google Scholar
