Canadian University Music Review

Volume 21, numéro 2, 2001

Sommaire (14 articles)

Colloquy  / Débat

  1. An Interview with Rob Walser in Toronto

Articles

  1. Le hasard et la technologie chez John Cage : subsistance de la modernité
  2. Erik Satie's Vexations—An Exercise in Immobility
  3. Hans Rosbaud and the Music of Arnold Schoenberg
  4. La semaine annuelle de musique de Montréal sous les auspices du Delphic Study Club, 1923–1937
  5. The Piano Music of Percy Grainger: A Pianist's Perspective on Pedalling
  6. Visions of the Stars and Earth: The Images of Jean Coulthard

Conference Review  / Compte rendu de congrès

  1. Toronto 2000

Book Reviews  / Recensions

  1. Michael Musgrave. Brahms: A German Requiem. Cambridge: Cambridge University Press, 1996. xii, 97 pp. ISBN 0521409950 (paperback) / David Brodbeck. Brahms: Symphony No. 1. Cambridge: Cambridge University Press, 1997. x, 115 pp. ISBN 052147959 (paperback)
  2. David Lidov. Elements of Semiotics. New York: St. Martin's Press, 1999. xvi, 288 pp. ISBN 0-312-21413-8 (hardcover) / Raymond Monelle. The Sense of Music: Semiotic Essays. Princeton and Oxford: Princeton University Press, 2000. xvi, 248 pp. ISBN 0-691-05716-8 (paperback)
  3. Rita Steblin. Die Unsinnsgesellschaft. Franz Schubert, Leopold Kupelwieser und ihr Freundeskreis. Wien: Böhlau, 1998. xiv, 490 pp. ISBN 3-205-98820-5 (hardcover)
  4. Nicholas Cook and Mark Everist, eds. Rethinking Music. Oxford and New York: Oxford University Press, 1999. xvii, 574 pp. ISBN 0-19-879003-1 (hardcover), 0-19-879004-X (paperback)
  5. Bryan R. Simms. The Atonal Music of Arnold Schoenberg 1908–1923. Oxford and New York: Oxford University Press, 2000. ix, 265 pp. ISBN 0-19-512826-5 (hardcover)
  1. Contributors / Collaborateurs