Veuillez télécharger l’article en PDF pour le lire.
Télécharger
Parties annexes
Biographical note
Kelly Baron is a SSHRC-funded PhD Candidate at the University of Toronto under the supervision of Smaro Kamboureli, with whom she studies the role of sensorimotor memory in passing down intergenerational trauma in contemporary Canadian genealogical novels. She is also the publisher of The Ex-Puritan, formerly The Puritan Literary Magazine.
Bibliography
- Bach, Johann Sebastian. “Variatio 25 a 2 Clav.” Goldberg-Variationen, BMW 988. MuseScore, 2012.
- Bergson, Henri. Matter and Memory. Trans. Nancy M. Paul and W. Scott Palmer. Digireads.com, 2010.
- Culler, Jonathan. “Why Rhythm?” Critical Rhythm: The Poetics of a Literary Life Form. Eds. Ben Glaser and Jonathan Culler. Fordham UP, 2019. 21–40.
- Eckstein, Lars. “A Love Supreme: Jazzthetic Strategies in Toni Morrison’s Beloved.” African American Review 40.2 (2006): 271–83.
- Eschrich, Susann, Thomas F. Münte, and Eckart O. Altenmüller. “Unforgettable Film Music: The Role of Emotion in Episodic Long-term Memory for Music.” bmc neuroscience 9.1 (2008): 1–7.
- Felman, Shoshana, and Dori Laub. Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History. Taylor and Francis, 1992.
- Gould, Glenn. Bach: The Goldberg Variations. Columbia, 1955.
- Hayircil, Gülrenk. “The Power of Music as Cultural Memory in Bernardine Evaristo’s Blonde Roots.” British and American Studies 28 (2022): 181–92.
- Jäncke, Lutz. “Music, Memory and Emotion.” Journal of Biology 7.6 (2008): 1–5.
- Janet, Pierre. Psychological Healing, vols. 1–2. Macmillan, 1925.
- Kingwell, Mark. Extraordinary Canadians: Glenn Gould. Penguin Random House, 2012.
- Laub, Dori. “Listening to My Mother’s Testimony.” Wounds of History. Routledge, 2016. 38–58.
- Lee, Hsiu-Chuan. “Writing History and Music in Do Not Say We Have Nothing: A Conversation with Madeleine Thien.” Canadian Literature 238 (Summer 2019): 13–28.
- Pickering, Michael. “Popular Music and the Memory Spectrum.” In The Routledge Companion to Popular Music History and Heritage. Eds. Sarah Baker, Catherine Strong, Lauren Istvandity, and Zelmarie Cantillon. Taylor and Francis, 2018. 192–200.
- Squire, Larry R. “The Legacy of Patient hm for Neuroscience.” Neuron 61. 1 (2009): 6–9.
- Thien, Madeleine. Do Not Say We Have Nothing. Vintage Canada, 2016.
- Van der Kolk, Bessel A., and Fisler, Rita. “Dissociation and the Fragmentary Nature of Traumatic Memories: Overview and Exploratory Study.” Journal of Traumatic Stress 8.4 (1995): 505–25.