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Biographical notes
Jason Camlot is Professor of English and Research Chair in Literature and Sound Studies at Concordia University in Montreal. His recent critical works include Phonopoetics (Stanford 2019) and the co-edited collections, Unpacking the Personal Library (with Jeffrey Weingarten, WLUPwlup, 2022), Collection Thinking (with Martha Langford and Linda Morra, Routledge, 2022), and CanLit Across Media (with Katherine McLeod, McGill Queen’s UP , 2019). He directs the SpokenWeb research partnership that focuses on the history of literary sound recordings and the digital preservation and presentation of collections of literary audio.
Katherine McLeod is an Assistant Professor, Limited Term Appointment, at Concordia University. She is the principal investigator for her SS HRC -funded project “Literary Radio: Developing New Methods of Audio Research.” She has co-edited the book CanLit Across Media: Unarchiving the Literary Event (with Jason Camlot, 2019), and she has published on poetry, performance, and archives in journals such as Canadian Literature, Feminist Modernist Studies, and Mosaic. She produces ShortCuts—a monthly series about archival audio—for The SpokenWeb Podcast.
Bibliography
- Eidsheim, Nina Sun. The Race of Sound: Listening, Timbre, and Vocality in African American Music. Duke UP , 2019.
- Siegert, Bernhard. Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the Real. Trans. Geoffrey Winthrop-Young. Fordham UP , 2015.
- Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Duke UP , 2003.