Synchronizations at Work: Anette Rose’s Encyclopaedia of Manual Operations

Every synchronization implies a process of reconcilement based on the coordination of a variety of procedures. Synchronizations are geared toward repeatability; they are also reproducible. This applies to technical processes, and also to the coordination of bodily movements. While a machine only needs to be programmed once, the synchronization of movements involved in dancing or sawing, for example, must be learned over time. With practice, the movement sequence gradually becomes engrained in the person’s flesh and blood. After a certain period, the required coordination processes begin to operate unconsciously, but not automatically. An experienced worker will notice deviations from the normal production process and carry out a resynchronization, whereas a machine stops and signals an error message. Anthropology and occupational physiology began to take an interest in these processes at around the same time; anthropologists carried out research on cultural differences in basic bodily techniques, while occupational physiologists investigated the possibilities for optimizing manual work movements in production processes. In these two areas of research, the study of media recordings provides both the condition and the basis for a systematic assessment of the motion sequences under investigation. Visibility first has to be generated; this creates new images, which can then be reproduced, compared and analyzed. Anette Rose has worked with both areas in her research for the long-term project “Enzyklopädie der Handhabungen” (Encyclopaedia of Manual Operations). She quotes from visual material from anthropology and occupational physiology in photo montages, which are then used in her works. The focal point of the project is the issue of “haptic” intelligence. The physiological structure of the hand and its various cultural significances are extremely complex. The artist observes the visual expression of the coordination of hand and eye, of facial expressions and gestures. She visits a number of companies and research laboratories in order to film workers’ gestures and the various stages of mechanization of these gestures. She uses two cameras to film the face and the hands of workers separately. In her video installations, this recorded material is recombined and resynchronized on two monitors or projection screens. There is no off-camera explanation, no narration, only precise observation, with the rhythmic noise of manual operations and machines in the background. The artist focuses our attention on the interplay of these faces and hands by displaying the images synchronously. The work gestures are filmed in companies where there are varying degrees of automation. In some cases, gripper robots have already replaced the hand. However, the versatility and the flexibility of coordination between the hand and the eye are still difficult to replace. Anette Rose observes this procedure with curiosity, but without nostalgia. For example, manual work in the production of porcelain is presented alongside fully automated production processes. In this way, an archive of contemporary industrial work is gradually developed. A further dimension is given to this survey by the artist’s research work, where she interviews specialists who explain and reflect upon the production processes. She observes their facial expressions and gestures during these conversations, which are also filmed using two separate cameras. An important characteristic of Anette Rose’s work is that she does not differentiate between factory workers and specialists in her film footage, so as not to reproduce different social perceptions that are based on the separation of manual labour and intellectual work. The establishment of uniform parameters accords equal status to the different types of work and expressive gestures observed. The looped material of the gestures can be freely combined in various ways for each installation and can be adapted to different exhibition spaces. Anette Rose’s video work is …