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Daniel Sheridan has most recently instructed in music history at McMaster University. He earned a PhD in Cultural Mediations, specializing in Musical Culture, from Carleton University. Daniel has published in such venues as Intersections and The Wagner Journal and is a contributor to The Cambridge Wagner Encyclopedia and The Grove Dictionary of American Music (2nd Edition). He also has forthcoming contributions to the 13th volume of The Bloomsbury Encyclopedia of Popular Music of the World.
- Brandt, Bettina. 2009. “Germania in Armor: The Female Representation of an Endangered German Nation.” In Women and Death 2: Warlike Women in the German Literary and Cultural Imagination since 1500, eds. Sarah Colvin and Helen Watanabe-O’Kelly, 86–126. Rochester, NY: Camden House.
- Breig, Werner. 1992. “The Musical Works.” In Wagner Handbook. Translated by John Deathridge, eds. Ulrich Müller and Peter Wapnewski, 397–482. Cambridge, MA and London: Harvard University Press.
- Crabtree, Alan. 1993. From Mesmer to Freud: Magnetic Sleep and the Roots of Psychological Healing. New Haven, CT. Yale University Press.
- Foster, Daniel H. 2010. Wagner’s Ring Cycle and the Greeks. Cambridge and New York: Cambridge University Press.
- Gibbons, William. “Music of the Future, Music of the Past: Tannhäuser and Alceste at the Paris Opéra,” Ninetheenth-Century Music 33, no. 3 (Spring 2010): 232–46.
- Syer, Katherine Rae. 1999. “Altered States: Musical and Psychological Processes in Wagner.” PhD diss., University of Victoria.
- Syer, Katherine Rae. 2005. “Unseen Voices: Wagner’s Musical-Dramatic Shaping of the Grail Scene of Act I.” In A Companion to Wagner’s Parsifal, eds. William Kinderman and Katherine R. Syer, 177–214. Rochester, NY: Camden House.
- Tatar, Maria M. 1978. Spellbound: Studies on Mesmerism and Literature. Princeton, NJ. Princeton University Press.