Veuillez télécharger l’article en PDF pour le lire.
Télécharger
Parties annexes
Biographical note
Jonathan Goldman is Professor of Musicology at the Faculty of Music of the Université de Montréal. His research focusses on modernist/avant-garde music in a regional perspective. He is editor of the journal Twentieth-Century Music. His publications include Avant-Garde on Record: Musical Responses to Stereos (Cambridge University Press, 2023), a monograph on Pierre Boulez (Cambridge University Press, 2011) and three edited volumes (including The Dawn of Music Semiology, with Jonathan Dunsby). His anthology of writings on heterophony, co-edited with José Evangelista, will be published in Spanish by the Institut Valencià de Cultura in 2024. From 2006 to 2016, he was editor of Circuit, musiques contemporaines.
Bibliography
- Adler, Guido. 1909. “Über Heterophonie.” Jahrbuch der Musikbibliothek Peters für 1908: 17–27.
- Bhagwati, Sandeep and Jonathan Goldman. 2018. “De l’appropriation au dialogue : des rencontres ‘transtraditionnelles’ et leurs modalités.” Circuit, musiques contemporaines 28 (1) : 9–14. https://doi.org/10.7202/1044371ar. English translation : https://revuecircuit.ca/fr/article/1031-introduction-from-appropriation-to-dialogue.
- Coleman, Kwami. 2021. “Free Jazz and the “New Thing”: Aesthetics, Identity, and Texture, 1960–1966.” Journal of Musicology 38, no. 3: 261–295. https://doi.org/10.1525/jm.2021.38.3.261.
- Cooke, Peter. 2001. “Heterophony.” In Oxford Music Online. Oxford University Press.
- Deleuze, Gilles and Félix Guattari. 1983. “What Is a Minor Literature?” Translated by Robert Brinkley. Mississippi Review 11 (3): 13–33.
- De Souza, Jonathan. 2019. “Texture.” The Oxford Handbook of Critical Concepts in Music Theory, edited by Alexander Rehding and Steven Rings. Oxford University Press.
- Evangelista, José and Jonathan Goldman, eds. 2024. Heterofonía. Antología de textos. Generalitat Valenciana.
- Feld, Steven. 1988. “Aesthetics as iconicity of style, or ‘lift-up-over sounding’: Getting into the Kaluli groove.” Yearbook for Traditional Music 20: 74–113. https://doi.org/10.2307/768167.
- Gruber, Gernot, August Schmidhofer, and Michael Weber, eds. 2005. Mehrstimmigkeit und Heterophonie: Bericht zur Tagung in Wien, 11. Bis 12. Dezember 1999. Vergleichende Musikwissenschaft, Bd. 4. Lang.
- Pärtlas, Žanna. 2016. “Theoretical Approaches to Heterophony.” Res Musica 8: 44–72.
- Perlman, Marc. 2004. Unplayed Melodies: Javanese Gamelan and the Genesis of Music Theory. University of California Press.
- Stumpf, Carl. 1901. “Tonsystem und Musik der Siamesen.” In Id., Beiträge zur Akustik und Musikwissenschaft. Vol. 3. Johann Ambrosius Barth.
- Yu Wang, Anna. 2023. “What is the Difference Between Polyphony and Heterophony?: Music Theory Classifications as Instruments of Social Class-Making.” Paper presented at the Annual Meeting of the Society for Music Theory. Denver, CO.
10.7202/1044371ar