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Volume 1, numéro 1, april 2018

Sommaire (9 articles)

“THE DEATH OF DEATH”: A MEMORIAL RETROSPECTIVE ON GEORGE A. ROMERO (1940-2017)

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    “The Death of Death”: A Memorial Retrospective on George A. Romero (1940-2017)

    Kristopher Woofter, Stacey Abbott, Simon Brown, Mario DeGiglio-Bellemare, Clayton Dillard, Will Dodson, Lorna Jowett, Adam Lowenstein, R. Million, Carl Sederholm, Christopher Sharrett, J.A. Shea, Tony Williams et Annaëlle Winand

    p. 3–56

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FEATURE ESSAYS

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    Lucio Fulci’s Poetics of Attractions: The Cinema of Poetry and the “Southern Question” in Don’t Torture a Duckling

    Mario DeGiglio-Bellemare

    p. 58–89

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    “Horror Film”: How the Term Came to Be

    Gary D. Rhodes

    p. 90–115

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    Peeping Tom: The Petrifying Gaze of Mechanical Medusa

    Virginie Selavy

    p. 116–134

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    Witches and Demons: The Occult in Two Hammer Films from the 1960s

    Michael Wood

    p. 135–162

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    Radical Diversion: Attractions Politics in the Horror Pseudo‑documentary The Hellstrom Chronicle

    Kristopher Woofter

    p. 163–190

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REVIEWS

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    Bodies in Suspense: Time and Affect in Cinema By Alanna Thain, University of Minnesota Press, 2017

    Mario DeGiglio-Bellemare

    p. 191–193

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    I’m Buffy and You’re History: Buffy the Vampire Slayer and Contemporary Feminism By Patricia Pender, I.B. Tauris, 2016

    Kristopher Woofter

    p. 194–197

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STUDENT FORUM

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    Defying STIgma in It Follows

    V. Samoylenko

    p. 198–210

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Licence

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