Monstrum

Volume 2, june 2019

Sommaire (10 articles)

FEATURE ESSAYS

  1. Le Féminin et le diable : Possessions et exorcismes comme manifestation de la répression sexuelle féminine

    Alexandra Dagenais

    p. 3–33

    Notice

  2. Grotesque Realism and the Carnivalesque in Tom Six’s The Human Centipede (First Sequence) and The Human Centipede II (Full Sequence)

    Ellen N. Freeman

    p. 34–59

    Notice

  3. “If I stop doing that job, they don’t stop eating”: iZombie and the Sociopolitical Dimensions of Food

    Erin Giannini

    p. 60–84

    Notice

  4. The Demythologizing of The Texas Chain Saw Massacre

    Jeff Jeske et Will Dodson

    p. 85–106

    Notice

  5. La mutazione antropologica Italiana: passaggio da una società arcaica e pura ad una società contaminata in Pier Paolo Pasolini

    Valentina Mazzilli

    p. 107–123

    Notice

  6. Suburban Ghost Story: Pre-feminist Self-writing Practices and the Gothic in Must Read After My Death

    Papagena Robbins

    p. 124–152

    Notice

REVIEWS

  1. The Birth of the American Horror Film By Gary D. Rhodes, Edinburgh University Press, 2018, 420pp.

    Anne Golden

    p. 153–156

    Notice

  2. Shirley Jackson: A Rather Haunted Life By Ruth Franklin, Liveright / W.W. Norton, 2016, 607pp.

    Kristopher Woofter

    p. 157–162

    Notice

  3. Children of the Night: Abel Ferrara’s Pasolini

    Mario DeGiglio-Bellemare

    p. 162–166

    Notice

STUDENT FORUM

  1. A Spectacle of Modified Bodies: The Contemporary Grand-Guignolesque as a Feminist Challenge to Somatophobia in American Mary

    Arielle Corriveau

    p. 167–179

    Notice

Licence

Anciens numéros de Monstrum