Veuillez télécharger l’article en PDF pour le lire.
Télécharger
Parties annexes
Biographical note
Kate J. Russell is a PhD candidate in Cinema Studies at the University of Toronto where she is writing her dissertation on John Waters and humour in cult cinema. Her writing appears in ReFocus: The Films of William Castle (University of Edinburgh Press, 2018) and is forthcoming in Discourse and The Velvet Light Trap. She is also a Co-Managing Editor at Discourse: Journal for Theoretical Studies in Media and Culture.
Bibliography
- Bataille, Georges. 1985. Visions of Excess: Selected Writings, 1927-1939. Edited by Allan Stoekl, translated by Allan Stoekl with Carl R. Lovitt and Donald M. Leslie Jr. Minneapolis: University of Minnesota Press.
- Beattie, James. 1779. Essays: On Poetry and Music, As They Affect the Mind; On Laughter, and Ludicrous Composition; On the Usefulness of Classical Learning. London: Printed for E. and C. Dilly, In The Poultry; And W. Creech, Edinburgh.
- Bergson, Henri. 1913. Laughter: An Essay on the Meaning of the Comic. Translated by Cloudesly Brereton and Fred Rothwell. New York: MacMillan.
- Brinkema, Eugenie. 2022. Life-Destroying Diagrams. Durham, NC: Duke University Press.
- Brophy, Philip. 1986. “Horrality: The Textuality of Contemporary Horror Films.” Screen 27, no. 1 (January): 2-13.
- Carroll, Noel. 1999. “Horror and Humor.” The Journal of Aesthetics and Art Criticism 57, No. 2 (1999): 145-160.
- Clover, Carol J. 1992. Men, Women, and Chain Saws: Gender in the Modern Horror Film. Princeton, NJ: Princeton University Press.
- Crafton, Donald. 2006. “Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy.” In The Cinema of Attractions Reloaded, edited by Wanda Strauven, 355-364. Amsterdam: Amsterdam University Press.
- "gag, v.1". OED Online. April 2023. Oxford University Press. https://www-oed-com.myaccess.library.utoronto.ca/view/Entry/76007?rskey=GlZLel&result=1 (accessed April 30, 2022).
- "gag, v.2". OED Online. April 2023. Oxford University Press. https://www-oed-com.myaccess.library.utoronto.ca/view/Entry/76010?rskey=GlZLel&result=4 (accessed April 30, 2022).
- Hawkins, Joan. 2000. Cutting Edge: Art-Horror and the Horrific Avant-Garde. Minneapolis and London: University of Minnesota Press.
- Jenkins, Henry. 1992. What Made Pistachio Nuts: Early Sound Comedy and the Vaudeville Aesthetic. New York: Columbia University Press.
- Kant, Immanuel. 2000. The Critique of Judgment. Translated by J.H. Bernard. Amherst, NY: Prometheus Books.
- Miller, Cynthia J. and A. Bowdoin Van Riper, eds. 2016. The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland. Lanham, MD: Rowman and Littlefield.
- Neale, Steve, and Frank Krutnik. 1990. Popular Film and Television Comedy. London and New York: Routledge.
- Noys, Benjamin. 1998. “Georges Bataille’s Base Materialism.” Journal for Cultural Research 2, no. 4: 499-517.
- Rødje, Kjetil. 2015. Images of Blood in American Cinema: The Tingler to The Wild Bunch. Farnham, Surrey; Burlington, VT: Ashgate.
- Schaefer, Eric. 1999. Bold! Daring! Shocking! True!: A History of Exploitation Films, 1919-1959. Durham and London: Duke University Press.
- Sconce, Jeffrey. 1995. “‘Trashing’ the Academy: Taste, Excess, and an Emerging Politics of Cinematic Style.” Screen 36, no. 4 (December): 371-395.
- Sconce, Jeffrey. 2007. “Introduction.” In Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics, edited by Jeffrey Sconce, 1-16. Durham, NC: Duke University Press.
- Weldon, Michael J. 1996. The Psychotronic Video Guide. New York: St. Martin’s Griffin.
- Williams, Linda. 1991. “Films Bodies: Gender, Genre, and Excess.” Film Quarterly 44, No. 4 (1991): 2-13.
- Zupančič, Alenka. 2008. The Odd One In: On Comedy. Cambridge, MA: MIT Press.