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Volume 8, numéro 1, june 2025

Sommaire (11 articles)

DOSSIER—Intersectional Trauma in Folk Horror Created by and Centred on Women

  1. Sous la direction de Nina K. Martin

  1. The Earth Rises as the Ashes Fall: Intergenerational Trauma, Femininity, and Rage in She Will (2021)

    Nina K. Martin

    p. 6–20

    Notice

  2. Witchcraft, ‘Racecraft,’ and the Demonic: Folk Horror in Mariama Diallo’s Master

    Dawn Keetley

    p. 21–43

    Notice

  3. Oh, Bondage, Up Yours! Punk, urban folklore, and folk horror in Huesera (2022)

    Valeria Villegas Lindvall

    p. 44–64

    Notice

  4. When Records Seethe: Folk Horror, Archival Studies, and Madres (2021)

    Lauren Gilmore

    p. 65–83

    Notice

  5. Response: On the Possibility of Collective Resistance in Women-Centred Folk Horror Cinema

    Kristopher Woofter

    p. 84–93

    Notice

FEATURE ESSAYS

  1. Body Like a Chainsaw, Mouth Like a Machete: The Black Best Friend in the American Slasher Film

    Zayla Crocker

    p. 94–113

    Notice

  2. Butch Latina Archetype in Science Fiction Horror Films

    Kristen Leer

    p. 114–134

    Notice

  3. “A little of the horror still loose”: The Stepford Wives’ Negotiated Feminisms

    Sarah Potvin

    p. 135–161

    Notice

  4. Gothic Doppelganger: Gotî and the Specters of a People in Ereb Şemo’s Dimdim (1966)

    Ali Eren Yanık

    p. 162–178

    Notice

REVIEWS

  1. Chrysanthemum Under the Waves by Maggie Umber, Self-published, 2024, 284 pp., $35 USD (pbk.)

    Mikaela Bobiy

    p. 179–183

    Notice

  2. The Butcher’s Daughter: The Hitherto Untold Story of Mrs. Lovett by David Demchuk and Corrine Leigh Clark, Hell’s Hundred – Soho Press, NY, 2025, 432 pp., $36.95 USD (h/c)

    Karen Herland

    p. 184–187

    Notice

Licence

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