Résumés
Abstract
This article investigates the possible role of improvised, conscious dance movement in nature as a way of reclaiming our direct experience of the metaphysical. I first discuss some aspects of the body and embodiment, not as contradictory with but absolutely essential to spirituality. I briefly touch on the possibility of embodied ecstasy, as well as various elements of embodiment such as awareness, alignment, presence, and connection. Then, after introducing some notions of dance and spirituality in various contexts, I zoom in on the ingredients of improvised movement as a way of negotiating the unknown, unpacking the possibilities of movement improvisation as a spiritual practice. Thirdly, I consider the potential for waking up to the sacred all around us, when movement practice is brought out into nature. Finally, I weave these threads together in some concluding thoughts on the role that dance can play in enhancing mystical participation in an enchanted world.
Résumé
Cet article explore le rôle possible du mouvement dansé, conscient et improvisé, dans la nature, en tant que moyen de nous réapproprier une expérience directe du métaphysique. Je discute d’abord certains aspects du corps et de l’incarnation qui ne sont pas contradictoires, mais plutôt essentiels à la spiritualité. J’aborde brièvement la possibilité de l’extase incarnée, ainsi que les divers éléments de l’incarnation, tels que la conscience, l’alignement, la présence et la connexion. Puis, après avoir présenté certaines conceptions de la danse et de la spiritualité dans divers contextes, je me focalise sur les ingrédients d’un mouvement improvisé en tant que moyen d’aborder l’inconnu, en dévoilant les possibilités de l’improvisation en tant que pratique spirituelle. Ensuite, je considère les possibilités de réveiller le sacré autour de nous, lorsque la pratique du mouvement est portée dans la nature. Enfin, je rassemble ces éléments en concluant sur le rôle que la danse peut jouer pour stimuler une participation mystique dans un monde enchanté.
Parties annexes
Bibliography
- Bailey, L. W. (2014), « Re-Enchantment », in D. A. Leeming, ed., « Encyclopedia of Psychology and Religion », New York, Springer, p. 1476-1480.
- Brienza, C. (2014), « Objects of Otaku Affection. Animism, Anime fandom, and the Gods of… Consumerism ? », in G. Harvey, ed., The Handbook of Contemporary Animism, London/New York, Routledge, p. 479-490.
- Burnier, D. (2006), « Encounters With the Self in Social Science Research. A Political Scientist Looks at Autoethnography », Journal of Contemporary Ethnography, 35, p. 410-418.
- Cameron, O. G. (2001), « Interoception. The Inside Story—A Model for Psychosomatic Processes », Psychosomatic Medicine, 63, p. 697-710.
- Carp, R. (2013), « Personal Email Communication », November 7.
- Carter, C. L. (2000), « Improvisation in Dance », The Journal of Aesthetics and Art Criticism, 58, p. 181-190.
- Csordas, T. J. (1993), « Somatic Modes of Attention », Cultural Anthropology, 8, p. 135-156.
- Damasio, A. (1999), The Feeling of What Happens. Body and Emotion in the Making of Consciousness, San Diego / New York, Harcourt Brace.
- De Spain, K. (2014), Landscape of the Now. A Topography of Movement Improvisation, Oxford/New York, Oxford University Press.
- Dexter Blackmer, J. (1989), Acrobats of the Gods. Dance and Transformation, Toronto, Inner City Books (Studies in Jungian psychology by Jungian analysts 39).
- Ehrenreich, B. (2007), Dancing in the Streets. A History of Collective Joy, New York, Metropolitan books / Henry Holt & Company.
- Fleckenstein, K. S. (1999), « Writing Bodies. Somatic Mind in Composition Studies », College English, 61/3, p. 281-306.
- Fraleigh, S. (2015), « Attunement and Evanescence », Dance, Movement & Spiritualities, 2, p. 9-25.
- Fraleigh, S. (2000), « Consciousness Matters », Dance Research Journal, 32, p. 54-62.
- Gendlin, E. T. (1978), Focusing, New York, Bantham Books.
- Gill, S. (2012), Dancing Culture Religion, New York, Lexington Books (Studies in Body & Religion).
- Gouzouasis, P. (2013), « The Metaphor of Tonality in Artography », UNESCO Observatory Multi-Disciplinary Journal in the Arts, 3/2, available at web.education.unimelb.edu.au/UNESCO/ejournal/index.html.
- Gouzouasis, P. (2008), « Toccata on Assessment, Validity & Interpretation, in S. Springgay, et al., eds., « Being with A/R/Tography », Rotterdam, Sense Publishers, p. 219-230.
- Grau, A. (1995). « On the Notion of Bodily Intelligence. Cognition, Corporeality, and Dance », in Border Tensions. Dance & Discourse, Guildford, University of Surrey, p. 141-7.
- Greenwood, S. (2000), Magic, Witchcraft and the Otherworld. An Anthropology, Oxford / New York, Berg.
- Halprin, A. (1995), Moving towards Life. Five Decades of Transformational Dance, Hanover / London, Wesleyan University Press.
- Halprin, D. (2003), The Expressive Body in Life, Art and Therapy. Working with Movement, Metaphor and Meaning, London / Philadelphia, Jessica Kingsley Publishers.
- Heelas, P. (1996), The New Age Movement. The Celebration of the Self and the Sacralization of Modernity, Oxford, Blackwell Publishers.
- Hume, L. (2007), Portals. Opening Doorways to Other Realities Through the Senses, Oxford, Berg.
- Jackson, M. (1998), Minima Ethnographica. Intersubjectivity and the Anthropological Project, Chicago / London, The University of Chicago Press.
- Jager, W. (2007), Die Welle ist das Meer. Mystische Spiritualität, Freiburg, Herder.
- Keeney, B. (2005), Bushman Shaman. Awakening the Spirit Through Ecstatic Dance, Rochester, Vermont, Destiny Books.
- Kieft, E. (2013), Dance, Empowerment and Spirituality. An ethnography of Movement Medicine, Unpublished PhD thesis, London, University of Roehampton.
- Kieft, E. (2014), « Dance as a Moving Spirituality. A Case Study of Movement Medicine », Journal of Dance, Movement & Spiritualities, 1, p. 21-41.
- Kieft, E. (2016a), « Dancing in, as and with Nature », in R. Coles, S. Costa and S.Watson, eds., « Well-being 2016. Co-creating Pathways to Well-being », Birmingham, Birmingham City University, p. 75.
- Kieft, E. (2016b), « Book Review. Kent de Spain : Landscape of the Now : A Topography of Movement Improvisation (2014) », Journal of Dance & Somatic Practices, 8, p. 105-107.
- Kieft, E. (2018), « Clearing the Way Towards Soulful Scholarship », in S. Ellis, H. Blades, & C. Waelde, eds., « A world of Muscle, Bone & Organs. Research and Scholarship in Dance », Chapter 22, Coventry, C-DaRE at Coventry University, p. 456-479.
- Kieft, E. (2018 in press), « Soul Loss and Retrieval. Restoring Wholeness Through Dance », in A. Williamson & B. Sellers-Young, eds., « Spiritual Herstories. Soulful Research in Dance Studies », Intellect, (Bristol).
- Lamothe, K. L. (2015), Why we Dance. A Philosophy of Bodily Becoming, New York, Columbia University Press.
- Luttichau, C. (2017), Calling Us Home, London, Head of Zeus.
- Maslow, A. (1994), Religion, Values and Peak Experiences, New York, Viking.
- NBG (1951), Nederlands Bijbelgenootschap (The Bible in Dutch), Netherlands Bible Society.
- Nelson, R. (2013), Practice as Research in the Arts. Principles, Protocols, Pedagogies, Resistances, Basingstoke, Palgrave Macmillan.
- Prince, R. & D. Riches (2000), The New Age in Glastonbury. The Construction of Religious Movements, New York / Oxford, Berghahn Books.
- Reed, S. (2011), The Articulation of a Dance Somatics for a Twenty-First Century Higher Education, Unpublished Ph.D. thesis, Guildford, University of Surrey.
- Reeve, S. (2008), The Ecological Body, Unpublished Ph.D. thesis, Exeter, University of Exeter.
- Richardson, L. (2000), « Writing. A Method of Inquiry », in N. K. Denzin & Y. S. Lincoln, eds., « The Handbook of Qualitative Research, Thousand Oaks, Sage, p. 923-949.
- Romanyshyn, R. D. (2007), The Wounded Researcher. Research with Soul in Mind, New Orleans, Spring Journal Books.
- Roseman, J. L. (2004), Dance Was Her Religion. The Spiritual Choreography of Isadora Duncan, Ruth St. Denis and Martha Graham, Prescott, Hohm Press.
- Rust, C., J. Mottram, & J. Till (2007), Practice-Led Research in Art, Design and Architecture. AHRC Research Review, Sheffield/Nottingham, Arts & Humanities Research Council.
- Shaw, M. (1994), Passionate Enlightenment. Women in Tantric Buddhism, Princeton, Princeton University Press.
- Shusterman, R. (2000), Performing Live. Aesthetic Alternatives for the Ends of Art, Ithaca, New York, Cornell University Press.
- Spatz, B. (2015), What a Body Can Do. Technique as Knowledge, Practice as Research, Abingdon / Oxon, Routledge.
- Tacey, D. (2004), The Spirituality Revolution. The Emergence of Contemporary Spirituality, East Sussex, Routledge.
- Todres, L. (2007), Embodied Enquiry. Phenomenological Touchstones for Research, Psychotherapy and Spirituality, Basingstoke, Palgrave Macmillan.
- Viney, D. (2014), ed., Process Theism, Metaphysics Research Lab, Stanford University (The Stanford Encyclopedia of Philosophy).
- Watson, G. (2008), Beyond Happiness. Deepening the Dialogue between Buddhism, Psychotherapy and The Mind Sciences, London, Karnac Books Ltd.
- Whatley, S., N. Garrett Brown, & K. Alexander (2015), eds., Attending to Movement. Somatic Perspectives on Living in this World, Axminster, Triarchy Press.
- Williamson, A. (2016), « Somatically Inspired Movement and Prepatriarchal Religious Symbolism », Journal of Dance, Movement and Spiritualities, 2, p. 323-355.
- Williamson, A. (2009), « Formative Support and Connection. Somatic Movement Dance Education in Community and Client Practice », Journal of Dance and Somatic Practices, 1, p. 29-45.
- Williamson, A., G. Batson, S. Whatley, & R. Weber (2014), eds., Dance, Somatics and Spiritualities. Contemporary sacred narratives, Bristol/Chicago, Intellect.