Documents found

  1. 121.

    Sirois-Rouleau, Dominique

    Wim Delvoye, DHC/ART, Montréal

    Review published in esse arts + opinions (cultural, collection Érudit)

    Issue 89, 2017

    Digital publication year: 2017

    More information

    Keywords: archive, écriture

  2. 122.

    Sioui Durand, Guy

    Domingo Cisnéros

    Article published in Inter (cultural, collection Érudit)

    Issue 102, 2009

    Digital publication year: 2010

  3. 123.

    Hébert, Julien

    Journal (extraits)

    Article published in Liberté (cultural, collection Érudit)

    Volume 38, Issue 1, 1996

    Digital publication year: 2010

  4. 124.

    Article published in Revue internationale de l'économie sociale (scholarly, collection Érudit)

    Issue 322, 2011

    Digital publication year: 2013

  5. 125.

    Ouimet, Lucile, Doucet, Edouard and Paradis, Andrée

    Lectures

    Article published in Vie des arts (cultural, collection Érudit)

    Issue 46, 1967

    Digital publication year: 2010

  6. 126.

    Barras, Henri

    François Houdé

    Article published in Vie des arts (cultural, collection Érudit)

    Volume 28, Issue 113, 1983-1984

    Digital publication year: 2010

  7. 127.

    Article published in Vie des arts (cultural, collection Érudit)

    Volume 22, Issue 87, 1977

    Digital publication year: 2010

  8. 128.

    Article published in Vie des Arts (cultural, collection Érudit)

    Issue 61, 1970-1971

    Digital publication year: 2010

  9. 129.

    Beaulieu, Louis-Jacques

    Mise en scène de l'objet italien

    Article published in Vie des Arts (cultural, collection Érudit)

    Issue 38, 1965

    Digital publication year: 2010

  10. 130.

    Article published in Ethnologies (scholarly, collection Érudit)

    Volume 38, Issue 1-2, 2016

    Digital publication year: 2017

    More information

    This article proposes a new reading of mediation in tourism and heritage. Through an examination of the initiative of potters in crisis from the village of Guellala (Djerba, Tunisia), we will see how these actors reinvent their relationship with tourists while reinventing their space and their product. Thus, these actors manage to escape a tradition alienated to the tourism industry, in order to build a new dynamic that enables them to reclaim a touristic presence in their own way. Unlike them, weavers from the urban center of Houmt Souk have either abandoned the artisan tradition by joining an industrial product or converted to become hotel employees. Resilient actors from the village of Guellala make use of informal mediation of their craft heritage by using both improvisation (relocation of workshops from the village to the roadside) as their strategy (partnering with a taxi driver that will promote new products and recruit customers). We can thus claim that informal mediation is based on the social capital that ensures a mobilization around several elements common to these actors.