Documents found

  1. 191.

    Article published in Québec français (cultural, collection Érudit)

    Issue 172, 2014

    Digital publication year: 2014

  2. 192.

    Article published in Québec français (cultural, collection Érudit)

    Issue 159, 2010

    Digital publication year: 2011

  3. 193.

    Article published in XYZ. La revue de la nouvelle (cultural, collection Érudit)

    Issue 21, 1990

    Digital publication year: 2010

  4. 194.

    Other published in Tangence (scholarly, collection Érudit)

    Issue 59, 1999

    Digital publication year: 2004

  5. 195.

    Article published in Voix et Images (scholarly, collection Érudit)

    Volume 13, Issue 1, 1987

    Digital publication year: 2006

  6. 196.

    Daudelin, Robert

    Le siècle des migrants

    Article published in 24 images (cultural, collection Érudit)

    Issue 180, 2016-2017

    Digital publication year: 2017

  7. 197.

    Article published in Spirale (cultural, collection Érudit)

    Issue 272, 2020

    Digital publication year: 2020

  8. 198.

    Article published in Sociologie et sociétés (scholarly, collection Érudit)

    Volume 27, Issue 1, 1995

    Digital publication year: 2002

    More information

    The random assimilation of the contingent dimension of social historical reality proceeds from a negation of the ontological specificity of the practice which can be read equally as well in high level sport activity as in the contemporary transformation of political space. Attempts to improve athletic performances are thus increasingly subject to experts whose function it is to control subjectivity which is reduced to the status of pure indétermination. In the same way, the state, in renouncing conscious responsibility for the normative dimension of sociality, is transformed into a mega-system whose duty it is to give form to random events.

  9. 199.

    Review published in Politique et Sociétés (scholarly, collection Érudit)

    Volume 20, Issue 1, 2001

    Digital publication year: 2008

  10. 200.

    Article published in Études littéraires (scholarly, collection Érudit)

    Volume 45, Issue 3, 2014

    Digital publication year: 2015

    More information

    Salvador Dalí's paintings are not his only oneiric depictions. Indeed, both versions of his autobiography (The Secret Life of Salvador Dalí [1942] and the Diary of a Genius [1964]) tell of the absurd and the unusual, and are rife with references to dreams. Our study will unearth the memories and desires underlying the author's dreams, and highlight the interconnections between those dreams and the recollections he put to paper. As well, we shall explain why he cast Gala Dalí as an oneiric symbol, and investigate how the author's premonitions informed his megalomaniac and mystical fantasies.