Documents found

  1. 451.

    Article published in Québec français (cultural, collection Érudit)

    Issue 171, 2014

    Digital publication year: 2014

  2. 452.

    Article published in Québec français (cultural, collection Érudit)

    Issue 148, 2008

    Digital publication year: 2010

  3. 453.

    de Blois, Marco and Jean, Marcel

    Le cinéma d'animation à l'ONF

    Article published in 24 images (cultural, collection Érudit)

    Issue 129, 2006

    Digital publication year: 2010

  4. 454.

    Published in: Une littérature « comme incantatoire » : aspects et échos de l’incantation en littérature (XIXe-XXIe siècle) , 2018 , Pages 141-156

    2018

  5. 455.

    Article published in Séquences (cultural, collection Érudit)

    Issue 181, 1995

    Digital publication year: 2010

  6. 456.

    Article published in Séquences (cultural, collection Érudit)

    Issue 182, 1996

    Digital publication year: 2010

  7. 457.

    Article published in Nuit blanche (cultural, collection Érudit)

    Issue 100, 2005

    Digital publication year: 2010

  8. 458.

    Lamy, Laurent and Nouss, Alexis

    L'abandon du traducteur

    Article published in TTR : traduction, terminologie, rédaction (scholarly, collection Érudit)

    Volume 10, Issue 2, 1997

    Digital publication year: 2007

    More information

    AbstractL'abandon du traducteur — A major landmark for contemporary translation studies, Walter Benjamin's essay on translation is also a text central to his body of work and to modern reflection by way of its links to the philosophy of language and the philosophy of history. It is in this perspective that L. Lamy and A. Nouss offer this new translation accompanied by a comprehensive critical apparatus intended to facilitate its understanding and to restore its conceptual density.

  9. 459.

    Other published in Voix et Images (scholarly, collection Érudit)

    Volume 35, Issue 1, 2009

    Digital publication year: 2009

  10. 460.

    Article published in Intersections (scholarly, collection Érudit)

    Volume 35, Issue 1, 2015

    Digital publication year: 2017

    More information

    Luigi Dallapiccola (1904–75)—a pioneering figure as serialist, composer of protest music, and trailblazer for the avant-garde—wrote his Greek Lyrics song cycle (1942–5) as an escape from wartime anxiety. I locate the Lyrics within a nexus of technique, text setting, and ethical engagement. That complex resonated with the younger composers Berio, Nono, and Maderna, each responding in the postwar period with settings from the same collection, Quasimodo's 1940 free translation of classic Greek lyrics. I examine Quasimodo's ethics, placing his poetry and Dallapiccola's settings within Gramsci's notions of language and politics, which were highly influential on postwar Italian composers.