Documents found

  1. 171.

    Bérubé, Robert-Claude

    Tournage

    Article published in Séquences (cultural, collection Érudit)

    Issue 122, 1985

    Digital publication year: 2010

  2. 172.

    Article published in Québec français (cultural, collection Érudit)

    Issue 34, 1979

    Digital publication year: 2010

  3. 173.

    Article published in Nuit blanche, le magazine du livre (cultural, collection Érudit)

    Issue 116, 2009

    Digital publication year: 2010

  4. 174.

    Article published in Vie des arts (cultural, collection Érudit)

    Volume 53, Issue 214, 2009

    Digital publication year: 2010

  5. 175.

    Daigneault, Gilles

    Le trimestre en huit

    Article published in Vie des arts (cultural, collection Érudit)

    Volume 30, Issue 121, 1985

    Digital publication year: 2010

  6. 176.

    Article published in XYZ. La revue de la nouvelle (cultural, collection Érudit)

    Issue 51, 1997

    Digital publication year: 2010

  7. 177.

    Article published in Tangence (scholarly, collection Érudit)

    Issue 40, 1993

    Digital publication year: 2004

  8. 178.

    Gendron, Nicolas

    À l'ombre des mots

    Article published in Ciné-Bulles (cultural, collection Érudit)

    Volume 38, Issue 2, 2020

    Digital publication year: 2020

  9. 179.

    Article published in Tangence (scholarly, collection Érudit)

    Issue 120, 2019

    Digital publication year: 2020

    More information

    Up to the early nineteenth century, an individual could reasonably assume that his sole mind, and thus his memory, contained all the knowledge needed to understand the world he lived in; Milan Kundera saw Goethe as the emblem of this possibility. The multiplication of information and technology begun in the mid-nineteenth century ended this possibility and gave birth to what the critic Richard Terdiman has termed the “memory crisis”, that is, the destabilizing experience of a memory experienced as partial and truncated. A parallel can be established between this crisis and the development of the novel in the nineteenth century: the recollection, imperfect by definition, one has of reading a novel overlaps with the memory, equally imperfect, one then starts to have of human knowledge. Based on this hypothesis, we highlight three key moments of this convergence to show how reading fiction accompanies our relation to memory: the Balzacian moment (resistance to forgetting), the turn of the twentieth century (acceptance of forgetting) and the contemporary period (distancing of memory).

  10. 180.

    Thesis submitted to McGill University

    2002