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Editing Historical Texts: Theoretical Issues and Editorial Market Editing historical texts is now relaying school in transmitting a form of literary history ; but the lack of the contexts of these works, and the lack of a scientific knowledge of literary history, leads overall 1) more subtly than school, to the production of value without justification, and 2) to no new literary history.
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AbstractDecadence is the long-ignored topic explored in this study. For over a century, the official line adopted by criticism of all tendencies concealed a fundamental aspect of Nelligan's work, i.e., the specific point of view from which he learned both writing and existence. After recalling the basic elements of the decadent worldview, the study identifies traces of this worldview in the various anomalies of the octosyllabic sonnet " Qe veux m'éluder] ", seen as a typically decadent virtuoso piece.
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The political and economic developments of the Sino-African relationship are no longer to be demonstrated. However, what about its insertion in the long course history of intercontinental exchanges ? The two works I intend to study – Dai Sijie's L'Acrobatie aérienne de Confucius (2009) and Paul Kawczak's Ténèbre (2020) – offer to contribute to filling this gap. Coming from the contemporary francophone field (francophone literature from China for Dai Sijie, from Quebec for Paul Kawczak), these two novels, both characterized by a baroque aesthetic, focus on the creation of a Sino-African literary history, which associates eroticism, sometimes pushed to the most extreme and grotesque, and intertextuality. The Sino-African relationship thus allows us to sketch the outline of an « integrated literary history » (Anthony Mangeon, 2015), in which texts fit together as much as bodies.
Keywords: histoire littéraire intégrée, Chinafrique, intertextualité, francophonie chinoise
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Wolfgang Asholt, Libertarian Spirit or Voluntary Servitude : the anarchists and the Revolution. Wolfgang Asholt registers the positions of nineteenth-century anarchists towards the French Revolution : condemnation of the bourgeois and Jacobin revolution in the name of an anti-authoritarian revolutionary ideal (Proudhon and the French anarchists from the middle of the century up to the Commune, Russian anarchists) ; the condemnation of all revolution in the name of individual revolt (Stirner, the French anarchists at the end of the century).
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In the battle between Dreyfusards and anti-Dreyfusards, editorial milieus played a decisive role and influenced the terms of this polemical debate. Given that Dreyfus supporters were on the margins of the mainstream press and a minority in the realm of public opinion, they acquired independent publishing structures which provided them with full freedom of expression. These editorial structures allowed the Dreyfusards to oppose virulent anti-Dreyfusard caricatures and articles with books, essays in which they could deploy reasoned responses. Whereas Pierre-Victor Stock committed his publishing house wholeheartedly to the battle for the re-trial of Dreyfus, Peguy would, for his part, push to the extreme the political ideal that he defended throughout the Affair. His Cahiers de la Quinzaine, created according to a socialist ideal and without any concern for profitability, would enable him to continue to pursue his vision, his memory and his theory of Dreyfusism through to the end.