Documents found
-
231.More information
Hamlet’s abduction by pirates during his voyage to England is an episode that does not appear in the main narrative source of Shakespeare’s play, Belleforest’s Histoires tragiques. This essay surveys the various sources that have been proposed, including the Ur-Hamlet, Plutarch’s “Life of Julius Caesar,” and an event in the biography of Martin Luther, before proposing a further possibility in the form of a sermon by the Swiss theologian Heinrich Bullinger where purgatory is compared to pirate capture. It discusses the likelihood of Shakespeare encountering this sermon directly or indirectly, and then argues that reading Hamlet in the light of it has important implications for our understanding of the relationship between the prince, his father, and Claudius.
-
233.
-
234.
-
236.More information
This article studies the inscriptions of digital culture in Nicolas Dickner's novels. These inscriptions are related to the long history of media imaginary and its objects, and are associated with three textual procedures: thematization, metaphorization and transposition of digital culture. In doing so, Dickner's digital imaginary unveils its ambivalences, showing tensions between historical depth and contemporaneity, between serial standardization and creation.
-
237.More information
AbstractThis article presents a anthropological analysis on the Rif of Morocco. Maghrebian and Moroccan anthropologies have remained deeply marked by the main anthropological schools of thought in spite of the recent sociological changes. This article investigates the heritage of Hart and Jamous's works in the actual research on the maghrebian society. Our empirical study leans on the Ketama tribe, which main economical activity consists in the culture of kif and its derivatives. We offer an analysis of the society of Rif based on the perspective of Ibn Khaldoun in order to develop an alternative approach of the anthropology of Rif and Maghreb.
Keywords: Mouna, cannabis, changement, Rif, Maroc, Mouna, cannabis, change, Rif, Morocco
-
240.More information
This article examines the so-called “crisis” of the music industry. It presents first a descriptive analysis of the public discourse in Quebec on that topic, including a presentation of associated facts and figures (e.g., symptoms, people in charge, action). Then, to initiate what Foucault termed “événementialisation,” i.e., the analysis of discourse and practices as dimensions of events, the author examines the conditions of possibility and intelligibility of this discourse, whether it be about the “crisis” or a part of it. The author describes the production of CDs as the predominant form of musical communication, and the effectiveness of the “crisis” as a structuring principle within the endogenous industrialization of music.