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Keywords: cinéma documentaire, médiation culturelle, éducation à l'image, médiation en ligne du cinéma, Québec

Keywords: Hiérarchisation des cultures, minorités visibles, Aborigènes australiens, métis, néoténie, évolutionnisme, théorie des climats, thérapie interculturelle

This article discusses how the Hantu duo (Weber+Delsaux) came to create mises-en-scène and performances centered on moving about with full vegetated containers. Such arrangements allow us to examine the act of carrying. We carry what we share: a heritage, claims, hopes for change… This act also testifies to the emotional bonds and new social relationships we could develop with plants. But carrying may also reinforce the notion that we have the power to manipulate plants, to move them about and arrange them as we please, referring to a passive view of plant life. As a counterpoint to carrying, the article develops the principle of plant adoption, one that allows us to see the plant as a living subject, recognize its agency and assume a shared relationship, given that adoption implies mutual commitment. Using the example of experiments, performances and workshops conducted by Weber and Delsaux, this text aims to understand the extent to which the principle of adoption can be transferred to the plant world and what it means to respect, consider and assume responsibility for a plant, and vice versa.

Author Mark Baumer pushes literary and media boundaries with his project Barefoot Across America. This hybrid online work situates the author within various artistic and literary traditions, ranging from the road novel to video writing and the filmed journal. His walk across the United States takes place in a territory that is both vast and symbolically rich. Through its multimodal dissemination, the work engages readers in a performative mode of reception.

Keywords: Hybridité, Réception, Performance, Mark Baumer, Hybridity, Reception, Performance, Mark Baumer, Road Novel

This article aims to understand eco-nostalgia and eco-melancholia in the same conceptual landscape, knowing that nostalgia and melancholia are part of a long-term, socially constructed and contextually determined cultural history. As a result, the article explores how nostalgia and melancholia, on the basis of this shared history, involve different stances towards the living world. While eco-nostalgia remains marked by the primacy of place and by the focus on the potential reestablishment of a lost paradise, melancholia, on the other hand, acknowledges the irreversible degradation of the environment in a process akin to mourning.

Keywords: Nostalgie, mélancolie, deuil, Capitalocène, pleurabilité

L’œuvre de William Klein est reconnue pour ses stratégies formelles innovatrices et avant-gardistes qui attireront l'attention des artistes et des professionnels de sa génération, non sans provoquer au passage quelques scandales ni sans subir les contrecoups de la censure. La trentaine de courts, moyens et longs métrages réalisés par Klein, forme un corpus hétérogène qui affiche à première vue des incohérences sociologiques, politiques, économiques et culturelles potentiellement discutables. Dans ces conditions, la position critique de Klein paraît ambiguë, inconséquente voire, contradictoire, parce que les films diffèrent également par leur thème, leur cible, leur mode de production et leur genre. Nous croyons cependant que l’engagement politique de Klein est le fil d'Ariane qui unit son œuvre cinématographique et dissipe toute idée de rupture que ses contemporains …

This essay will aim to demonstrate the explosion of literary forms by digital practices through the analysis of two works whose media do not originally engage literature: the video game console with What Remains of Edith Finch by Ian Dallas, and a transmedia network involving Twitter, Spotify, a paper edition but also exhibitions through Clara Beaudoux's Le Madeleine Project.

Keywords: jeux vidéo, transmédia, narratologie, heuristique, théorie de la fiction, littérature exposée, video game, transmedia, narratology, heuristics, theory of fiction, outside the book literature

The need to make health services more patient-centered is the subject of many conversations about the reforms needed for a more adequate, humane and respectful health service. This article begins with a historical perspective of the history of medicine, medical ethics and the social relationship to narrative, before discussing the difficulty of applying these notions to the field of transplantation and also the gaps in their implementation. Finally, it explores how integrating creative writing workshops into the care pathway could be helpful for a patient-centered approach.

Keywords: Décision partagée, ateliers d'écriture, humanités médicales, transplantation, récits de patients, Shared decision, writing workshops, medical humanities, transplantation, patients' self-narratives, Toma de decisiones compartida, talleres de escritura, humanidades médicas, trasplantes, narrativos de pacientes, 共同决策, 写作研讨会, 医学人文, 移植, 患者故事