Documents found

  1. 211.

    Article published in Intermédialités (scholarly, collection Érudit)

    Issue 20, 2012

    Digital publication year: 2013

    More information

    The exhibition Erice Kiarostami. Correspondencias, conceived in the form of a “creative dialogue,” is considered here to be a “middle-ground” in which Víctor Erice and Abbas Kiarostami work out underlying correspondences in their work. Taking into account curatorship, on the one hand, and the author's subjective experience of the exhibition, on the other, the article argues that Kiarostami, during this brief two year story set in Paris and Barcelona (2006-2008), played an accompanying role in Erice's music.

  2. 212.

    Article published in Contre-jour (cultural, collection Érudit)

    Issue 3, 2004

    Digital publication year: 2010

  3. 213.

    Article published in Espace Sculpture (cultural, collection Érudit)

    Issue 22, 1993

    Digital publication year: 2010

  4. 215.

    Larue, Johanne

    Festivals

    Article published in Séquences (cultural, collection Érudit)

    Issue 150, 1991

    Digital publication year: 2010

  5. 216.

    Article published in Séquences (cultural, collection Érudit)

    Issue 264, 2010

    Digital publication year: 2011

  6. 217.

    Article published in Québec français (cultural, collection Érudit)

    Issue 127, 2002

    Digital publication year: 2010

  7. 218.

    Article published in Protée (scholarly, collection Érudit)

    Volume 27, Issue 3, 1999

    Digital publication year: 2005

    More information

    The end of the sexual… How can we understand such an event ? The purpose of this paper is to look at this end by bringing together psychoanalytic works on death drives, on elements of a culture of death, focusing on its use in sexual fantasies, and the fictions of Dennis Cooper, a contemporary American writer who works on the boundaries of sex and life. My hypothesis is that, in a posthuman world where unity of experiences of death and sexuality is lost, the imaginary discourses, created by the negation of our finite existence, are sites for experimenting with the boundaries of the subject and with new forms of community.

  8. 219.

    Article published in Protée (scholarly, collection Érudit)

    Volume 31, Issue 1, 2003

    Digital publication year: 2004

    More information

    AbstractL'Hiver de force proposes a representational universe calling on universals. Our objective is to specify how these universals are transposed in fiction and how fiction can negotiate its links differently with genre. Narrative, discursive and thematic levels of analysis will be distinguished, while maintaining a concern for how the work is received. Once the diverse paradoxes of the Ducharmian story have been defined, we will analyze meaning effects as they are created by the complexity of having a first person plural narrative authority with respect to fantasmatic elements in the story. We will then look at how language is used. A study of the axiological components will enable us to appreciate the different strata of the story. This will lead us to questioning the meaning given to the ana-phoric title, La Flore laurentienne. Finally, we will identify the phenomena of differentiation and of transposition and try to define the aforementioned in light of our analyses' results.

  9. 220.

    Article published in Québec français (cultural, collection Érudit)

    Issue 110, 1998

    Digital publication year: 2010