Documents found
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1151.More information
This article proposes an analysis of editorial cartoons representing Kim Campbell and Audrey McLaughlin. The study primarily argues that the leaders of the Progressive Conservative Party and the New Democratic Party of Canada in the 1993 federal election were depicted in a stereotypical manner (ie., judged as members of the private realm, according to private values and norms) in editorial cartoons, even though these women were in the forefront of the political scene. To assess this hypothesis, the authors have analyzed editorial cartoons published in nineteen Québécois, French-Canadian and English-Canadian daily newspapers during the 1993 federal election campaign. The body of work for content analysis contains 238 editorial cartoons. The main conclusion of this study maintains that Kim Campbell and Audrey McLaughlin were not stereotyped according to private realm values in editorial cartoons of the daily written press. The article further insists upon a few essential nuances to better grasp the validity of these results.
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1152.More information
SummaryThis article presents the argument that shows the differences between the major international feminist coalitions which fight against what we currently call the "trafficking of women". The argument exposed refer only to the definition of the phenomena and to what differentiate the position of the coalitions on the subject along with their respective strategies to eradicate it. The author mention in conclusion that some assertions of radical feminism which, in her opinion, actually are challenged by the debate on women's migrations, could be rethinked. She wonders if this debate will generate the "migration" of a certain radical feminism?
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1153.More information
Albertine Sarrazin indeed appears as a “French exception,” a “sociological hapax.” Fully committed “in an individual revolt that because of her talent, her intelligence, her sensitivity, will be […] transmuted into literature,” this recidivist has produced bestsellers : three texts published by Pauvert in 1965 and 1966—two prison writings, L'astragale and La cavale, then La traversière. In the 1960s, this writer did not position herself as a dilettante between the nouveau roman in full ascendancy, and the psychological realist novel whose dual tradition still prevails. Her writing draws primarily on a motivation that is principally from within, against an outside world that banned her. This confinement is primarily constitutive of her writing and it is this aspect, overlooked by recent critics of her work, that this article seeks to examine. Above all, this writing is that of a body whose “soul” resists by trying to escape the authority of a punishment whose tacit violence deprives it of freedom.
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1155.More information
My hypothesis is that, during the second half of the nineteenth century, precisely when time was asserting itself so insistently and oppressively, as is emphasised by Darwin's, Clausius's and Schopenhauer's work, space replaced time as Man's primary experience of Being-in-the-world. If Rimbaud fails in his attempt to kill time, through a kind of frantic acceleration, he will, on the other hand, be the first to capture time in space, in a poetic space made up of simultaneity and reversibility.Mallarmé, then Valéry and Apollinaire will make this new space, truly phenomenological, the locus where the self (the author's as well the reader's) be able to effectuate itself, on the way to self-discovery - thus announcing the twentieth century, during which writing will largely derive its meaning from being the space where the self can literally invent itself.
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