Documents found

  1. 911.

    Article published in XYZ. La revue de la nouvelle (cultural, collection Érudit)

    Issue 63, 2000

    Digital publication year: 2010

  2. 912.

    Dubreuil-Blondin, Nicole

    Quand la forme s'en va…

    Article published in Vie des arts (cultural, collection Érudit)

    Volume 31, Issue 123, 1986

    Digital publication year: 2010

  3. 913.

    Article published in XYZ. La revue de la nouvelle (cultural, collection Érudit)

    Volume 1, Issue 2, 1985

    Digital publication year: 2010

  4. 914.

    Article published in XYZ. La revue de la nouvelle (cultural, collection Érudit)

    Issue 15, 1988

    Digital publication year: 2010

  5. 915.

    Article published in Tangence (scholarly, collection Érudit)

    Issue 50, 1996

    Digital publication year: 2004

  6. 916.

    Article published in Tangence (scholarly, collection Érudit)

    Issue 70, 2002

    Digital publication year: 2004

    More information

    Blood is the physiological or metaphorical presence that informs Les diaboliques (1874) by Jules Barbey d'Aurevilly. A veritable mana word, empty word, word of passage that can take on all meanings and fulfil all functions, the word “blood” refers to completely opposing realities. The ambivalent symbol of a century torn apart by the Revolution, blood materializes both life and death, heroism and treachery, pure and impure, Christ and woman. In an era when all illusion has been lost, the writer's only choice is to wring blood from words, upset signs, invent a new theology and a new rhetoric.

  7. 917.

    Article published in Théologiques (scholarly, collection Érudit)

    Volume 3, Issue 1, 1995

    Digital publication year: 2009

  8. 918.

    Article published in Tangence (scholarly, collection Érudit)

    Issue 71, 2003

    Digital publication year: 2004

    More information

    AbstractThe writing of Linda Lê, a French writer of Vietnamese origin, is a nomad writing, and its language is that of exile. In the world of exile, words are no longer one with reality, but always signify the elsewhere. This article follows the chaotic evolution of a multi-sided subject en route to her history and her future, who attempts to find a defining voice (voix), a defining way (voie). Refusing a nostalgia for the elsewhere, Lê positions herself on the frontier of a hybrid world, in a between-two-worlds where all possibilities for becoming and the multiplicity of meaning are affirmed.

  9. 919.

    Article published in Voix et Images (scholarly, collection Érudit)

    Volume 31, Issue 3, 2006

    Digital publication year: 2006

  10. 920.

    Article published in Voix et Images (scholarly, collection Érudit)

    Volume 23, Issue 2, 1998

    Digital publication year: 2006