Abstracts
Résumé
Se fondant sur un corpus de 150 articles contemporains des premiers romans de Colette (1900-1920), cette étude interroge la critique non seulement dans sa fonction réceptrice, mais aussi dans sa dimension active, productive ou, tout au moins, programmatrice de l’oeuvre.
Abstract
Based on a corpus of 150 contemporary reviews of Colette’s first novels (1900-1920), this article studies the receiving function of literary criticism as well as its real impact on the production or, at the very least, on the programming of the work.
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