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Serge Guilbault, How New York Stole the Idea of Modern Art, Abstract Expressionism, Freedom and the Cold War, trad. par A. Goldhammer. Chicago et Londres. The University of Chicago Press, 1983. x + 277 p., 23 illus., 22,50 $ (relié)

  • Nicole Dubreuil-Blondin

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  • Nicole Dubreuil-Blondin
    Université de Montréal

Cover of Volume 13, Number 1, 1986, pp. 5-88, RACAR : Revue d'art canadienne / Canadian Art Review

Online publication: Nov. 19, 2020

URI
https://id.erudit.org/iderudit/1073561ar CopiedAn error has occurred
DOI
https://doi.org/10.7202/1073561ar CopiedAn error has occurred

A review of the journal RACAR : Revue d'art canadienne / Canadian Art Review

This article is a review of another work such as a book or a film. The original work discussed here is not available on this platform.

Volume 13, Number 1, 1986, p. 66–68

Tous droits réservés © UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada), 1986

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