Abstracts
Abstract
This article seeks to identify the commercial efforts of Canadian photographers to manufacture and distribute gelatin dry-plates in the 19th century. Using archival material and published advertisements, several companies including the Stanley Dry Plate Company of Montreal are identified and positioned within the photographic manufacturing landscape in Canada. In doing so, the commercial efforts of Canadian manufacturers are contrasted with the parallel developments in dry-plate manufacturing in the United States and England, further situating Canada’s photographic manufacturing history within a broader context.
Keywords:
- Dry plates,
- Manufacturing,
- Patents,
- Photograph,
- Stanley Dry Plate Co
Résumé
Cet article cherche à définir les efforts commerciaux des photographes canadiens pour fabriquer et distribuer des plaques sèches à la gélatine au XIXe siècle. À l’aide de documents d’archives et de publicités imprimées, plusieurs entreprises, dont la Stanley Dry-Plate Company de Montréal, sont identifiées et positionnées dans le paysage canadien de la production de photos. Les efforts commerciaux des fabricants canadiens sont ainsi mis en contraste avec les développements qui ont eu lieu en parallèle dans la fabrication de plaques sèches aux États-Unis et en Angleterre, ce qui permet de situer l’histoire canadienne de la production photographique dans un contexte plus large.
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Appendices
Biographical note
Shannon Perry teaches history of photography, and archival theory and practice at Carleton University. She has worked at Library and Archives Canada in Ottawa, Ontario, for over a decade as a private and government archivist, specializing in photography. Her research focuses on Kodak, and the photographic industry in Canada more broadly, in the 19th and early 20th centuries, and was the focus of her dissertation (PhD, Visual Cultural Studies, De Montfort University), and a forthcoming monograph,“When Kodak Came to Town” (U ofT Press).