Documents found
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241.More information
The principle of immanence is often poorly considered : most people who still refer to it hasten to add how it is difficult it is to do so, and how their attempts to account for it are likely to bring about heuristics gains. The centenary of the CGL is a great opportunity to return to the sources of the principle of immanence in linguistics and semiotics, and to follow its progress in Saussure, then in Hjelmslev's interpretation of Saussure, and finally in Greimas's interpretation of Saussure and Hjelmslev.We have to remind ourselves in particular why, for Saussure and Hjelmslev, immanence is inseparable from the definition and delimitation of a cognitive object belonging to a discipline that seeks to define its place among the existing disciplines. And we aim primarily to show how, in Saussure, immanence accommodates a permanent invention of semiosis within the sign, and then, in Hjelmslev and especially in Greimas, how it becomes even a creative constraint in the postulated and observed gap between manifestation and immanence, and between generated and attested manifestation.The principle of immanence becomes a scientific strategy that allows Saussure to articulate formality and sociality, while for Hjelmslev it allows for the articulation of generativity and creativity, and for Greimas that of veridiction and invention of semiosis.
Keywords: immanence, créativité, masse parlante, subconscient, générativité, manifestation, véridiction, Immanence, Creativity, Talking Mass, Subconscious, Generativity, Manifestation, Veridiction
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243.More information
Kate Millett is best known for her activism and her literary work. However, a major part of her practice remains largely neglected, if not ignored: her career as an artist. Her work must therefore be understood not only as a constitutive phase of the essay Sexual Politics (1970) but also as an active process of resistance. In this article at the crossroads of gender studies and art history, the author explores how Kate Millett's work focused on body representation aesthetically articulates a critique of sexual politics.
Keywords: femmes, féminisme, genre, histoire de l'art, politique, esthétique, cunt art, sculpture, corps, corps lesbien, mujeres, feminismo, género, historia del arte, política, estética, cunt art, escultura, cuerpo, cuerpo lésbico
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245.More information
This article aims to reflect on a corpus of videopoems, the creative reception of the teachers who viewed the videopoems, and the didactic proposals that emerged. Based on theoretical contributions such as Schaeffer's aesthetic experience or the postures of aesthetic experience inspired by Housen, we analyzed the responses of the teachers to an open questionnaire exploring different dimensions of their reception (i.e., cognitive, affective, didactic), which influence the “re-creative” posture. By placing teachers in a re-creative posture, we are reflecting on the conditions that make possible an aesthetic experience in school as well as the reconfigurations of teaching poetry.
Keywords: vidéopoésie, lecture créative, expérience esthétique, enseignement secondaire, didactique de la littérature, videopoetry, creative reading, aesthetic experience, secondary education, didactics of literature
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247.More information
Colourful plastic on a beach, tractors on the foreshore, sheds in the salt marshes… The stage is set to describe the use of photography in research on the occupational group of oyster farmers. This article explores the methodological process of a pioneering sociology that uses images in a study, exploring the status of these images. Three corpuses of photographs were used to further our understanding of this profession, which has seen the upward trajectories of both individuals and collectives hampered by the environmental crisis. The social identity of these oyster farmers vacillates between tradition and the search for a certain image of modernity, which tends to appear as a recurrent rejection of disorder. Their historical culture of working with hazards, including, to a certain degree, climate change, encourages them to engage in new adaptation strategies.
Keywords: ostréiculteurs, professions, sociologie de l'image, littoral, ethnographie, Oyster farmers, occupations, visual sociology, shoreline, ethnography, ostricultores, profesiones, sociología de la imagen, zona costera, etnografía
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249.More information
“Why is Schoenberg's music so hard to understand?,” asks Alban Berg in 1924. We could translate his statement by: “Why is it so little accessible?” The answer one is tempted to offer goes beyond the one that Berg provides ( i.e. Schoenberg's music avoids thematic repetitions that, in “ordinary music,” allows mnemonic stabilisation of the listening practice) since, more essentially, it is a question that has to do with access to music, and to the conditions of possibility of listening per se. Schoenberg himself tried to respond to this issue by inventing a particular listening framework, the Society for Musical Private Performances (1918-1921), that completely overturned the Viennese conventions of concert hall practices: applauses were forbidden, no press review were allowed, the programme was not announced in advance, the practice of rehearsals was renewed. From there, it is possible to outline a Schoenbergian philosophy of musical access, which predates by a few years only the phonographic industrialisation of music, and which entertains with this industry a fruitfully conflictual relation. Understanding this relationship implies an analysis, sketched in this article, which takes into account the question of musical interpretation and also the different projects Schoenberg and his entourage imagined, from various apparatuses to new modes of diffusion.
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250.More information
ABSTRACTIn the literature on artificial intelligence, the author distinguishes two approaches : the technological approach and the cognitivist approach. He shows that the parallels made between human intelligence and artificial intelligence within the cognitivist approach do not go without saying, and that the theses on artificial intelligence are largely dependent upon certain rationalist and empiricist speculations of classical philosophy. He exposes the principal problem that then encounters an understanding of human intelligence in the light of the cognitivist approach, namely the necessity to obliterate the semantic dimension and to profess a radical solipsism, and he pleads for an understanding of human intelligence commensurable with what it is in culture rather than in machines.