Documents found
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191.More information
Stemming from a long tradition of mutual aid and social solidarity, social finance in Bulgaria arose from particular political and economic conditions. Cooperative banking played a pivotal role in the establishment of Bulgaria's financial and economic system between the two world wars (1919-1938). This article examines the rapid growth of cooperative banks and their impact on the economy in the inter-war period. In the early 1930s, cooperative banks became the most developed form of cooperatives in Bulgaria, particularly in towns.
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192.More information
Keywords: identité, autochtonie, ethnicité, marché linguistique, interculturel, Québec
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193.More information
AbstractThis article analyses the development of the only Dayak touristic center in the province of East Kalimantan,Tanjung Isuy, a village of the Benua' Ohong. It focuses also on the emergence of a regional identity in the province. During the New Order era (1966-1998), the administration actively promoted the Dayak culture as the main “touristic object” (obyek wisata) of East Kalimantan. The folklorisation of local Dayak cultures and the elaboration of touristic strategies were closely linked. In this perspective, the author suggests that the “touristification” of the Benua' can be interpretated both in terms of regional development and of “indonesianization” of a tribal, “primitive” culture. Paradoxically, the current revitalisation of the Benua' culture was produced by the reconstructed “authentic dayak image” that they are showing to the visitors, Westerners and Indonesians alike. This process raises several questions in terms of cultural identity for the Benua' themselves. If in the course of the process, they do have reasserted their ethnicity in the regional context, its development and effects lies outside their control.
Keywords: Guerreiro, tourisme, culture régionale, ethnicité, benua', Indonésie, Guerreiro, tourism, regional culture, ethnicity, Benua', Indonesia
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195.More information
AbstractThis article begins by defining the differences between two stages of musical creativity: the structural elaboration phase, and the work of composition proper. An explanation of how the two are united and how they are articulated in the work of Elliott Carter follows, by showing precisely how the composer worked out a large-scale polyrhythm in the writing of Triple Duo—a process documented in its entirety in sketches preserved at the Paul Sacher Institute in Basel. What is the function of the polyrhythm in the composition? How does the preparatory sketch shape the musical movement, and why is it left dangling in the end?
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