Documents found
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101.More information
This article focuses on the life of Juana, the Excelente Senhora (excellent lady), between 1479 and 1506. Juana, widely known as La Beltraneja, was recognized by King Enrique IV of Castile (1454–74) as his legitimate daughter and successor despite claims that she had been conceived in an adulterous relationship between her mother Joana of Portugal and Beltrán de la Cueva. Although Juana lived in exile in Portugal from 1476 onward, her young age and unmarried status made her a powerful diplomatic weapon during the reign of the Portuguese king João II (1481–95). While she had professed as a nun and was nominally attached to the monastery of Santa Clara in Coimbra, her degree of seclusion waivered with the vicissitudes of Portugal’s foreign policy. Until 1522, she herself maintained the position that she was the rightful heir to the throne of Castile.
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Since the discovery of De Doctrina Christiana almost 150 years after John Milton's death, the Latin manuscript has commonly been attributed to the English writer—but not without controversy. For many scholars, the most recent phase of the debate seemed to end with the 2007 publication of Milton and the Manuscript of De Doctrina Christiana, which used stylometry to argue confidently for Milton's authorship. This article is presented in dissent. Prompted by disjunctures in style and substance between the treatise and Milton's canonical works, we revisit the authorship question. Using the complete text from the manuscript, a broader selection of candidates, and newer stylometric methods, we show some limitations of the earlier approach. Finally, drawing upon a neglected tradition of scholarship, we suggest that Jeremias Felbinger is a more plausible candidate for authorship, and we evaluate his candidacy through multiple stylometric tests.
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Research framework : Cancer is the most common life-threatening disease in Canadian children. It is a traumatic family experience. Authors point out that affected families are more vulnerable if they do not have sufficient resources to support their resilience process. Families living in communities far from hospital centres specialized in pediatric oncology (HCSPO) face additional challenges because of limited access to resources and services that can meet their immediate needs. While the family experience of pediatric cancer is well documented in the scientific literature, the experience of being far from an HCSPO remains under explored. Gottlieb's strengths-based approach to care and Walsh's (2012 ; 2016b) family resilience building theory guided this study. This article presents findings from the first phase of a larger study, conducted between 2015 and 2021, those related to different contexts that may exacerbate family vulnerability. Objective: Exploring factors related to the resilience process of families accompanying a child with cancer in a remote context (FACCRC). Methodology : A descriptive qualitative approach was adopted by using 26 semi-structured individual and group interviews (n = 50 people: 39 members of 11 families, 11 nurses). Results: Among the results obtained in the larger study, two main contexts of remoteness were identified and are presented here: (1) when the FACCRC are in their community, at the time of the child's diagnosis, on their returns from the HCSPO and on a daily basis, and (2) when they are at the HCSPO, far from their loved ones and their usual landmarks. Contexts with specific risk factors that can compromise their resilience process. Findings: Remoteness is a multi-contextual, persistent experience that affects all family members. It requires a specific family assessment, and is facilitated by better communication and collaboration between the specialized and regional hospital centres. Contribution: The proposal of valuable leads for care more adapted to the reality of FACCRC.
Keywords: famille, cancer pédiatrique, résilience, soin de santé, ruralité, family, childhood cancer, resilience, health care, rurality, familia, cáncer infantil, resiliencia, cuidados de la salud, ruralidad
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The compilation known as the Extract of Various Prophecies (Auszug etlicher Practica und Prophezeiungen) was the most popular prophetic pamphlet in Germany in the decade between 1516 and 1525. While the Extract was known to contain excerpts from the Prognosticatio of Johannes Lichtenberger and the Speculum of Johannes Grünpeck, this article identifies the sources of the introduction (Simon Eyssenmann’s annual prognostication for 1514) and the concluding verse (an annual prognostication for 1508) and clarifies the process of compilation. In contrast to earlier views that see it as a clumsy and illogical collection of excerpts, this article finds in the Extract a coherent near-term apocalypse. Hans Stainberger, a bookseller from Zwickau, played a decisive role in the pamphlet’s early dissemination, while its later circulation provides a case study in the circulation of apocalyptic ideas and the interaction between prophetic texts and prophetic preaching at the time of the Reformation.
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A Russian animated film director Andrei Khrzhanovsky (b. 1939) has made a highly successful cinematic career spanning more than fifty years (his animation discussed in the monographs and articles of Maureen Furness, Laura Pontieri, Maya Balakirsky Katz, Sergei Kapkov, among others). Khrzhanovsky works in different cel animation techniques (drawn and cut-out animation) and is famous for the adaptation of classic prose and poetry through found images – the authors’ correspondence, diaries and drawings (The Pushkin Cycle, 1975–1987; A Cat and a Half, 2002). Frequently, the found images take the form of visual quotations from European art. In the animated films Glass Harmonica (1968), A Grey-Bearded Lion (1995, an adaptation of Tonino Guerra’s tale) and Long Journey (1997), Khrzhanovsky uses images of Italian art to shape atmospheric effects, which position an artist as “not belonging”. In Glass Harmonica appropriated images of Renaissance and surrealist art help to elaborate on the artist’s political nonconformism: “belonging” refers to the dominant narratives of state-sponsored ideology while “not belonging” (Mikhail Bakhtin’s position outside; Alexei Yurchak’s living ‘vnye’) – to different alternative truths of an outsider.In A Grey-Bearded Lion Khrzhanovsky adapts Tonino Guerra’s tale about an Italian circus, and in Long Journey repurposes auteur cinema images and drawings (Federico Fellini) to comment on other issues of the artistic journey and freedom. While erasing the significance of the political context in a more existential sense, Khrzhanovsky continues to use atmospheric effects to portray an artist as an outsider. This essay delves into different manipulations of the mise-en-scène and the movement, which influence the characters’ and the viewer’s “atmospheric feelings”. Focusing on four criteria from Hermann Schmitz’s “felt-bodily alphabet”, two associated with spaces (filled or empty, condensed or non-condensed) and the other two – with types of movement (centripetal or centrifugal; quite or excited), I will look at the dynamics of atmospheric effects in Khrzhanovsky’s animation that positions an artist as not belonging.
Keywords: atmospheric perception, perception atmosphérique, auteur animation, animation d’auteur, animated film poetics, poétique du film d’animation, adaptation, adaptation, intertextualité, intertextuality, Khrzhanovsky, Khrzhanovsky
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A prevailing need in biblical studies is a comprehensive set of valid arguments for determining the direction of dependence once a literary relationship between two texts in the Hebrew Bible is reasonably established. This study takes a step toward addressing this lacuna by inductively cataloguing, illustrating, and evaluating eight criteria used to substantiate a proposed direction of borrowing in cases of inner-biblical allusion in Isaianic scholarship. These criteria provide a working list of plausible arguments that can be used when claiming the direction of influence in other cases of inner-biblical allusion throughout the Hebrew Bible. Such a list encourages both methodological clarity due to the increased precision of defined categories and scholarly creativity by suggesting multiple viable means to argue for the direction of dependence.
Keywords: Old Testament, Hebrew Bible, intertextuality, borrowing, method, methodology, Isaiah, innerbiblical, inner biblical, Tanakh