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AbstractSrebrenica, July 11th, 1995. The Serbian Army of Bosnia and Herzegovina launched the killing of 7000 civilians, despite the presence of United Nations troops. This massacre was highly mediatized. Images of Bosniak women and children in tears have been viewed worldwide. I had a four months fieldwork in Sarajevo and Srebrenica in order to explore the mediatization of humanitarian crisis, in the framework of a doctorate in anthropology. This note is a first attempt to consider journalists as mediators : I analyse the aftermath of wrongs and the challenges faced by after-war Bosnia within interactions of locals of Srebrenica and journalists.
Keywords: Laliberté, ethnicité, Bosnie-Herzégovine, Srebrenica, médias, journalisme, représentation, médiation, Laliberté, ethnicity, Bosnia and Herzegovina, Srebrenica, medias, journalism, representation, mediation, Laliberté, etnicidad, Bosnia-Herzegovina, Srebrenica, medios, periodismo, representación, mediación
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Much has been written about Colette’s assertion that women should not engage in political life; she never understood herself as a feminist. Her daughter Colette de Jouvenel, however, initially an unmotivated dressmaker’s apprentice, who spent the 1930s working in the film industry, became a feminist and political activist supporting the Resistance movement. This article focuses on the dynamics between Colette, the famous author, and Colette de Jouvenel, her daughter. In this article, I contend that women’s paramount role in the Resistance movement as well as the role intellectuals held in the Resistance and the influence they exerted on the literary scene of the postwar years, contributed to both women’s politicization. Colette de Jouvenel’s political activism during World War II as well as her committed journalism, recognized by intellectuals during the postwar era, can be seen as a driving force that also contributed to Colette’s desire to embrace a more overt political stance, relativizing her earlier self-portrayal as an apolitical woman and writer.