Documents found
-
113.
-
115.More information
This article examines two short stories published by Louis Hémon, who was twenty years old during the turbulent period of the Dreyfus affair. It shows how writing was the basis of his radical conception of freedom and carried Zola's legacy. For, marked by this affair at the very start of his career, Hémon distanced himself from his family and, without severing ties, removed himself geographically. Similarly, he kept his distance from Parisian literary salons and their codes. Having conquered the freedom to write, Hémon used his pen to give voice to the have-nots, while remaining aware of their flaws and difficulties.
-
116.More information
After the unique experience of Kerminy, the author raises the question of artistic creation in situ. This article forms a diptych with that of Marina Pirot with the aim of pursuing a dialogue on the tools at our disposal to combat the crisis of life; it is based on our shared research regarding the techniques and teachings of Body Weather (the intersections of bodies and their environments). Returning to the workshop Devenir vegetal (Becoming Plants), the author narrates, through the lens of an ecology of experience, a necessary return to the landscape as a person of experience and to dance as a holistic practice of feeling.
-
117.More information
Through the analysis of a practice-based research project called Danser avec le climat (2022), conducted at La Manufacture – Haute école des arts de la scène (HES-SO, Lausanne, Switzerland), this article describes an attempt to create a choreographic system linking weather variations and dance. The role of dance in this project is discussed, as well as the relevance of the translation scheme between body and weather. Does dance have the capacity to expand our attention to weather variations, leading to a different kind of perception? What are the differences between this project and other weather-based practices? What could be the consequences of such a proposition?
Keywords: météo, danse, écopoétique, recherche-création
-
118.More information
In her article, Linda Guidroux tries to understand how we can “belong” and why we can claim our cultural belonging in the context of migration. These concerns led her to question the deterritoralization of cultural belonging and its relocation in the context of migration. She took as a case study the migration of Bretons to Quebec since 1950. First, she asked: to which ethnic group (Breton, French, Quebec, Canadian and/or other) do Breton migrants to Quebec refer (or have been referred, for those who returned to Bretagne), to identify themselves in their new country, and to which of these groups do they identify themselves to the “Other”. Second, she analyzes how their representations of their ethnic group have influenced their choice to belong to this group and to maintain, build or break relationships with it. Finally, she identifies whether or not their migration experience in Quebec has shaped their choice of cultural belonging.
-
119.
-
120.More information
Keywords: Bretagne, culture traditionnelle, tourisme, fest-noz, identité