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AbstractTransposition will mean the sliding from one world into another and, in particular, the transfer of the non-fictitious into fiction. Because it introduces reference data into the universe of the novel, the autobiographical novel exemplifies the process of the hybridization of fiction. Facing the dominant fictionalist pattern refusing to think out the ontological hybridity of the novel, this article aims at legitimizing the notion of the autobiographical novel, whose theoretical relevance can be established in facts (the genesis of texts) as well as in right (from the contractual angle of pacts). As, in critical discourse, the current obliterating of the autobiographical novel is partly due to the vogue for "autofiction", one will try and discriminate between the two genres (insisting on onomastics). But this debate is not only generic, it also has ethical, ideological, esthetic, and scientific stakes.
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560.