Documents found

  1. 671.

    Article published in Nuit blanche, le magazine du livre (cultural, collection Érudit)

    Issue 122, 2011

    Digital publication year: 2011

  2. 672.

    Article published in Port Acadie (scholarly, collection Érudit)

    Issue 22-23, 2012-2013

    Digital publication year: 2013

  3. 673.

    Article published in Nuit blanche (cultural, collection Érudit)

    Issue 51, 1993

    Digital publication year: 2010

  4. 674.

    Article published in Nuit blanche (cultural, collection Érudit)

    Issue 62, 1995-1996

    Digital publication year: 2010

  5. 675.

    Article published in Nuit blanche (cultural, collection Érudit)

    Issue 70, 1998

    Digital publication year: 2010

  6. 676.

    Article published in Nuit blanche (cultural, collection Érudit)

    Issue 101, 2005-2006

    Digital publication year: 2010

  7. 677.

    Article published in Québec français (cultural, collection Érudit)

    Issue 108, 1998

    Digital publication year: 2010

  8. 678.

    Article published in Nuit blanche (cultural, collection Érudit)

    Issue 21, 1985-1986

    Digital publication year: 2010

  9. 679.

    Article published in Nuit blanche (cultural, collection Érudit)

    Issue 41, 1990

    Digital publication year: 2010

  10. 680.

    Article published in Voix et Images (scholarly, collection Érudit)

    Volume 41, Issue 1, 2015

    Digital publication year: 2015

    More information

    This article focuses on the representation of 1960s Ville Jacques-Cartier in La constellation du Lynx. Its hypothesis is that in a Louis Hamelin historical novel, the increase in factual information (what really happened) depends on a corresponding increase in the Quebec territorial myth (the place where it is thought to really have happened). The first is a work of reconstruction, the second of imagination. The result is the figure of a Québec writer who is very attached to places and presents himself as a scrupulous author of tall tales or a storyteller looking for more authenticity in geographical margins. This figure, which critics of the late 2000s have found compelling, would seem to be prefigured by Hamelin.