Abstracts
Abstract
Brian Cherney reflects on his childhood and youth in Peterborough, Ontario, in the 1940s and 1950s and his musical studies at the University of Toronto. He considers the varied influence that family, recordings, CBC broadcasts, attending live concerts, piano lessons, reading about music, and spending time in Europe in the late 1960s had in shaping his emerging interest in becoming a composer. Cherney considers that it was only in the mid-1970s, after his appointment to McGill in 1972, that he developed the self-awareness, critical insight, and confidence to become a mature composer … someone who dared, in T.S. Eliot’s words, to “disturb the universe.”
Résumé
Brian Cherney réfléchit sur son enfance et sa jeunesse à Peterborough (Ontario) dans les années 1940 et 1950, ainsi que ses études musicales à l’Université de Toronto. Il examine l’influence qu’ont eue, à divers degrés, sa famille, l’écoute d’enregistrements et de radiodiffusions de la CBC, la fréquentation des concerts, les leçons de piano, la lecture d’écrits sur la musique et les séjours en Europe à la fin des années 1960 sur son intérêt croissant pour la composition. Selon lui, ce n’est que vers le milieu des années 1970, après sa nomination à McGill en 1972, qu’il a acquis la conscience de soi, l’esprit critique et la confiance nécessaires pour devenir un compositeur sérieux, quelqu’un qui, pour reprendre les paroles de T.S. Eliot, ose « déranger l’univers ».
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Appendices
Biographical note
Brian Cherney, the dedicatee of this collection of articles, has been a professor at McGill University for over forty-five years. His colleagues recognized his dedicated work as a teacher of composition, analysis, and Canadian music with an Outstanding Teacher Award in 2005. Cherney’s catalogue of over 100 compositions for diverse media have been commissioned, performed, and broadcast across Canada and internationally. In addition, he has written a monograph on Harry Somers (1975) and with John Beckwith co-edited a collection of essays about John Weinzweig (2011). He remains intensely active as a professor and a composer and is at work on another book on Somers.