Intersections Canadian Journal of Music Revue canadienne de musique

Editor(s): Ariane Couture (Rédactrice en chef francophone), Paul Sanden (Rédacteur en chef anglophone)

Journal preceded by Canadian University Music Review / Revue de musique des universités canadiennes



Intersections: Canadian Journal of Music / Intersections : revue canadienne de musique, formerly Canadian University Music Review / Revue de musique des universités canadiennes, a bilingual journal, was founded in 1980 by the Canadian University Music Society and is the principal Canadian. An open-access and digitally published journal, is it the principal Canadian outlet for refereed scholarly research.

The global aim of the journal is to publish research by scholars from around the world. Its particular mandate is to represent Canadian research to other Canadians, and thus to support awareness and interaction among Canadians interested in music research, as well as to represent Canadian research and Canadian music to the world.

Guidelines for Authors





International Index to Music Periodicals

Music Index

Canadian Music Periodical Index

Music Education Resource Base


Journal's Site

Contact the journal


Phone: (416) 538-1650

Open access

No subscription is required to have access to this journal.

Back issues (25 issues)

Permanent archiving of articles on Érudit is provided by Portico.

Editorial board


French Editor : Ariane Couture

English Editor : Paul Sanden

French Review Editor : Eugenie Tessier

English Review Editor : Jamie Meyers-Riczu

Editorial Board

  • Sally Bick, University of Windsor, Ontario, Canada
  • Lori Burns, University of Ottawa, Ontario, Canada
  • Pierre Albert Castanet, Université de Rouen/Conservatoire National Supérieur de musique et de danse, France
  • Norma Coates, Western University, Ontario, Canada
  • Nicolas Darbon, Aix-Marseille Université, France
  • Monique Desroches, Université de Montréal, Quebec, Canada
  • Alan Dodson, Mount Allison University, New Brunswick, Canada
  • Francis Dubé, Université Laval, Quebec, Canada
  • Robin Elliott, Jean A. Chalmers Chair of Canadian Music, University of Toronto, Ontario, Canada
  • Annegret Fauser, University of North Carolina at Chapel Hill, USA
  • Karen Fournier, The University of Michigan, USA
  • Serge Lacasse, Université Laval, Quebec, Canada
  • Michael MacDonald, MacEwan University, Alberta, Canada
  • Brian Power, Brock University, Ontario, Canada
  • Danick Trottier, Université du Québec à Montréal, Canada
  • Sophie Stévance, Chaire de Recherche du Canada en Recherche-création en musique, Université Laval, Quebec, Canada
  • Paul Woodford, Western University, Ontario, Canada