Le metteur en scène et les autres ou de la difficulté du partage de l’auctorialité dans le théâtre public françaisThe producer and the others, or the difficulty of collaborative editorialization in the French public theatre

  • Bérénice Hamidi-Kim

…more information

  • Bérénice Hamidi-Kim
    Université Lyon 2/Institut Universitaire de France

Access to this article is restricted to subscribers. Only the abstract will be displayed.

Access options:

  • Institutional access. If you are a member of one of Érudit's 1,200 library subscribers or partners (university and college libraries, public libraries, research centers, etc.), you can log in through your library's digital resource portal. If your institution is not a subscriber, you can let them know that you are interested in Érudit and this journal by clicking on the "Access options" button.

  • Individual access. Some journals offer individual digital subscriptions. Log in if you already have a subscription or click on the “Access options” button for details about individual subscriptions.

As part of Érudit's commitment to open access, only the most recent issues of this journal are restricted. All of its archives can be freely consulted on the platform.

Access options
Cover of Questions d’auctorialité sur les scènes contemporaines, Number 121, 2019, pp. 5-155, Tangence