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In this article I will critically engage with Arne Naess's Deep Ecological appropriation of Spinoza's concept of Nature. I will argue that Naess falsely opposes the creative and created aspects of Nature, rather than thinking these two in concord. Because of this, his concept of Nature falls apart into two realms, which makes it impossible to think of Nature as one united whole. I will discuss the problems this leads to then propose that Schelling's philosophy of Nature is more apt as a Deep Ecological philosophy. Schelling's concept of Nature explicitly defines Nature as the identity of productivity and product, so that the rift in Naess's conception is overcome.

EN:

Ecosophical discourses around the ecological condition that is sometimes referred to as the “Anthropocene” require a fundamental rethinking of key concepts of occidental philosophy, including reason. Nietzsche’s body of work offers manifold tools for the rethinking of reason, and this paper seeks to apply them to achieve a “new ecological image of thought.” It will demonstrate 1) how there is a clear ecological awareness motivating Nietzsche’s affirmative critique of reason, 2) how one can find rudiments of a pluralization of the concept of reason in Nietzsche's body of work, as well as 3) traces of a new, qualitatively different form of ecological reason for the time called the Anthropocene – with all its problems and possibilities. In doing so, this paper will demonstrate how Nietzsche can be very productively applied to contemporary eco-philosophical discussions.

EN:

An encounter with cheetah on the plains of Botswana is described and used to consider the experience of being-in-the-(natural)-world. The importance of contact with nature is discussed alongside some of the issues we face both personally and globally.

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The author accompanies her friend, a woodland wildflower expert, on a mission to save native Ohio wildflowers from sites destined for development.

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If ferns went to bars...

EN:

Looking at stories, we can begin imagining processes of reworlding, processes that involve un-learning and re-learning our relationships with the environment in a more-than-human world, and I wonder, too, if poetry can lead us to a similar place, poetry offering an approach toward a collaboration with the nonhuman in a more than human world. Barbara Kingsolver's poem, "Great Barrier," generally and broadly responds to climate change and the anxiety surrounding our limited amount of time to dramatically address climate change. I argue that she allows the potential for completely reimagining new practices and processes toward approaching the Anthropocene through the genre of poetry that does not return to something familiar.