Documents found

  1. 21.

    Article published in Jeu (cultural, collection Érudit)

    Issue 81, 1996

    Digital publication year: 2010

  2. 22.

    Tremblay, Jean-Louis

    « Les Enfants terribles »

    Article published in Jeu (cultural, collection Érudit)

    Issue 71, 1994

    Digital publication year: 2010

  3. 23.

    Article published in 24 images (cultural, collection Érudit)

    Issue 81, 1996

    Digital publication year: 2010

  4. 24.

    Article published in Lettres québécoises (cultural, collection Érudit)

    Issue 25, 1982

    Digital publication year: 2010

  5. 25.

    Bérubé, Robert-Claude

    Bandes annonces

    Article published in Séquences (cultural, collection Érudit)

    Issue 134, 1988

    Digital publication year: 2010

  6. 26.

    Grugeau, Gérard

    Jeanne Moreau

    Article published in 24 images (cultural, collection Érudit)

    Issue 184, 2017

    Digital publication year: 2017

  7. 27.

    Article published in Spirale (cultural, collection Érudit)

    Issue 259, 2017

    Digital publication year: 2017

  8. 28.

    Article published in Études littéraires (scholarly, collection Érudit)

    Volume 29, Issue 2, 1996

    Digital publication year: 2005

    More information

    This critique features the organization and themes of Jacques (1834), a George Sand's epistolary novel which orchestrates some major topics of the works of George Sand: feminine education and sexuality, androgyny, matrimony and incest. Modelled on Jean-Jacques Rousseau's la Nouvelle Héloïse (1761), Jacques borrows procedures from the epistolary novel, but changes the treatment of romantic topics: love, the relationship between brothers and sisters, and incest.Through a polyphonic structure and ironical discourse on fiction, the author reconsiders traditional roles in society and upholds an egalitarian concept of the relation of men and women.

  9. 29.

    Article published in Tangence (scholarly, collection Érudit)

    Issue 138, 2025

    Digital publication year: 2025

    More information

    This article discusses the representation of erotic temptation in the libertine narratives of the eighteenth century. In these, we have authors who use the motif of temptation to explore their characters' psyche while questioning the sanctions that Ancien Régime society imposed on sexuality—notably that of women. Our aim is to show that libertine temptations crystallize the internalization of Evil during the Enlightenment era, when temptation is in fact depicted as originating from a deep, innermost desire rather than an evil outside force. In this testing of his will, the individual discovers he is not the passive plaything of either demons or his own nature. Gifted with free will, he is characterized by his freedom to choose between good and evil, the pleasurable and the reasonable. This is why tempted characters view the Fall itself, despite its dangers, as an experience of freedom, and why temptation, for its part, is presented as a delicious thrill.

    Keywords: chute, histoire de la sexualité, introspection, libre arbitre, littérature libertine, philosophie des Lumières, tentation, fall, history of sexuality, introspection, free will, libertine literature, Enlightenment philosophy, temptation

  10. 30.

    Article published in Études françaises (scholarly, collection Érudit)

    Volume 32, Issue 2, 1996

    Digital publication year: 2006