Documents found

  1. 1.

    Dulude, Sébastien

    Présentation

    Article published in Spirale (cultural, collection Érudit)

    Issue 262, 2017

    Digital publication year: 2018

  2. 3.

    Article published in Séquences (cultural, collection Érudit)

    Issue 29, 1962

    Digital publication year: 2010

  3. 4.

    Thesis submitted to Université de Montréal

    2001

    More information

    Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

  4. 5.

    Thesis submitted to Université de Montréal

    1994

    More information

    Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

  5. 6.

    Lépine, Stéphane

    Nostalghia

    Article published in 24 images (cultural, collection Érudit)

    Issue 114, 2003

    Digital publication year: 2010

  6. 7.

    Article published in Spirale (cultural, collection Érudit)

    Issue 262, 2017

    Digital publication year: 2018

  7. 8.

    Article published in Séquences (cultural, collection Érudit)

    Issue 13, 1958

    Digital publication year: 2010

  8. 9.

    Article published in Revue musicale OICRM (scholarly, collection Érudit)

    Volume 7, Issue 1, 2020

    Digital publication year: 2020

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    Composer and music critic, but also a famous conductor, Hector Berlioz achieved success abroad—and particularly in Russia—thanks to his concert tours. However, his image in Imperial Russia was founded not only on his music, but also on his publications in the press. Even before Berlioz's music was performed in Saint Petersburg, the Russian public became acquainted with the French musician through the printed media. From 1833, Berlioz's critical articles were translated and published regularly in Russian periodicals. The press also served as a medium and a means for information exchange between Berlioz and Russia: Berlioz's articles on Russian composers (Glinka, Lvov) were very quickly translated and published by the Saint Petersburg press. Berlioz, himself a professional critic, understood the importance of publicity, and developed several media strategies in view of his travels to Russia.

    Keywords: Hector Berlioz, médias, presse musicale, Russie, xixe siècle, Hector Berlioz, media, musical press, Russia, 19th century

  9. 10.

    Article published in Anthropologie et Sociétés (scholarly, collection Érudit)

    Volume 31, Issue 1, 2007

    Digital publication year: 2007

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    AbstractThis article examines the history of a people and a language. First known under as the « Perm », they were renamed « Zyrian » and finally « Komi » in the 20th century. The decline of the Komi language can be correlated to the rise of another people called « Slavs » and then « Rusin » and finally « Russkii » (Russian). The case of the Komi is not atypical: the forces that undermine the Komi language are virtually identical to the problems faced by most minority languages, including the French language of Western Canada. What will finally kill a language are not solely the political and social forces that favor one language over another, but the shame and the stigma that are attached to a minority language. This article is therefore a history of the Komi language and an examination of the day-to-day actions that devalue the language of the minority, in this case the ethnic Komi that have been a minority even within its traditional territory and the contemporary Komi Republic located within the Russian Federation.

    Keywords: Bouchard, Komi, Russie, langues minoritaires, sociolinguistique et ethnolinguistique, francophones de l'ouest canadien, Bouchard, Komi, Russia, minority languages, sociolinguistics and ethno-linguistics, Francophones of Western Canada, Bouchard, Komi, Rusia, lenguas minoritarias, sociolingüística y etnolingüística, francófonos del oeste canadiense