Canadian University Music Review
Revue de musique des universités canadiennes

Volume 20, numéro 2, 2000

Sommaire (19 articles)

Colloquy / Débat

  1. Violet Archer, Jean Coulthard, and Barbara Pentland Remembered


  1. Music Theory as Productivity
  2. Schubert's Impromptu in G-flat: A Response to Adam Krims
  3. Tracing the Chiasmus: A Response to William Renwick
  4. L’adaptation d’une forme à un style : les thèmes à retour dans la musique instrumentale de Brahms
  5. Une démarche esthésique, ou le temps retrouvé : présentation critique de l’ouvrage Les écritures du temps de Michel Imberty

Book Reviews / Comptes rendus

  1. Adam Krims, ed., with commentary by Henry Klumpenhouwer. Music/Ideology: Resisting the Aesthetic. Amsterdam: Gordon and Breach, 1998. 311 pp. ISBN 90-5701-321-5 (paperback)
  2. Kevin Bazzana. Glenn Gould: The Performer in the Work. Oxford: Clarendon Press, 1997. xxii, 297 pp. ISBN 0-19-816656-7 (hardcover)
  3. Fenner Douglass. Cavaillé-Coll and the French Romantic Tradition. New Haven and London: Yale University Press, 1999. xiii, 235 pp. ISBN 0-300-07114-0 (hardcover)
  4. Nicholas Thistlethwaite and Geoffrey Webber, eds. The Cambridge Companion to the Organ. Cambridge Companions to Music. Cambridge: Cambridge University Press, 1998. xiv, 340 pp. ISBN 0-521-57309-2 (hardcover), 0-521-57584-2 (paperback)
  5. Maniates, Rika, ed. Musical Discourse from Classical to Early Modern Times: Editing and Translating Texts. Papers given at the Twenty-Sixth Annual Conference on Editorial Problems University of Toronto, 19-20 October 1990. Toronto: University of Toronto Press, 1997. xii, 149 pp. ISBN 0-8020-0972-7 (hardcover)
  6. Valerie Walden. One Hundred Years of Violoncello: A History of Technique and Performance Practice, 1740–1840. Cambridge Musical Texts and Monographs. Cambridge: Cambridge University Press, 1998. xv, 311 pp. ISBN 0-521-55449-7 (hardcover)
  7. John Rink. Chopin: The Piano Concertos. Cambridge Music Handbooks. Cambridge: Cambridge University Press, 1997. x, 139 pp. ISBN 0-521-44109-9 (hardcover), 0-521-44660-0 (paperback)
  8. Andrew Thomson. Vincent d'Indy and His World. Oxford and New York: Clarendon Press, 1996. xv, 220 pp. ISBN 0-19-816220-0 (hardcover)
  9. Richard Langham Smith, ed. Debussy Studies. Cambridge: Cambridge University Press, 1997. xvi, 235 pp. ISBN-0-521-46090-5 (hardcover)
  10. Kathryn Bailey, ed. Webern Studies. Cambridge: Cambridge University Press, 1996. xix, 375 pp. ISBN 0-521-47526-0
  11. Judith Tick. Ruth Crawford Seeger: A Composer's Search for American Music. New York and Oxford: Oxford University Press, 1997. xiv, 457 pp. ISBN 0-19- 506509-3 (hardcover) / Joseph N. Straus. The Music of Ruth Crawford Seeger. Cambridge: Cambridge University Press, 1995. xii, 260 pp. ISBN 0-521-41646-9 (hardcover)
  12. Ralph P. Locke and Cyrilla Barr, eds. Cultivating Music in America: Women Patrons and Activists since 1860. Berkeley and Los Angeles: University of California Press, 1997. xi, 357 pp. ISBN 0-520-083-954 (hardcover) / Mona Mender. Extraordinary Women in Support of Music. Lanham, Md., and London: Scarecrow Press, 1997. x, 309 pp. ISBN 0-8108-3278-X (hardcover)
  1. Contributors / Collaborateurs

Anciens numéros de Canadian University Music Review / Revue de musique des universités canadiennes